Ποίηση

In this light-hearted book, poet and gardener James Fenton describes a hundred plants he would choose to grow from seed. 'It seemed a simple and interesting idea: what plants would you choose if starting a garden from scratch?'Includes chapters on flowers for colour, size, or exotic interest; herbs and meadow flowers; climbing vines and tropical species; the micro-meadow; raising plants from seed; and a wealth of personal tips and advice. As Fenton writes, 'the emphasis is on childish simplicity of approach, and economy of outlay.'Here is a happy, stylish, thought-provoking exercise in good principles, which exudes that rare thing: common-or-garden sense about gardens.

"Ο δρόμος για το καλοκαίρι " του Άγγελου Κούρου είναι μια περιπλανώμενη ποιητική
αφήγηση του καλοκαιριού στα ελληνικά νησιά του Αιγαίου, σαν ένα απαλό μελτεμάκι… 
Αθήνα, λιμάνι του Πειραιά και μετά ξεκινά κανονικά το ταξίδι, Σαντορίνη,
Αμοργός, Ρόδος, Μήλος... και το ποιητικό ταξίδι στα νησιά συνεχίζεται! Προορισμοί που
διατηρούνται ανέπαφα στις αναμνήσεις μας για μια μελλοντική επιστροφή ...
Αλλά τι συμβαίνει εκεί; Ο λυρισμός του δεν είναι άκρατος, υπερβολικός, είναι ελεγχόμενος,  είναι γλυκός, δεν έχει χαρακτήρα καρτ ποστάλ και επίσης έχει και χιούμορ. Αυτό είναι πολύ σημαντικό, καθώς είναι σπάνιο στην ποίησή μας να βρούμε χιούμορ, να βλέπουμε τον αναγνώστη να χαμογελά με ένα διακριτικό αλλά και ανακουφιστικό τρόπο.
Και πάνω από αυτό το χαμόγελο, πάνω από το ελληνικό καλοκαίρι, ο Κούρος χτίζει τον δικό του κόσμο
όπου ζει η αυθεντική ποίηση. Είναι ένας κόσμος που έχει το ιδανικό μέγεθος των ονείρων μας.
Ποιήματα που διαβάζεις και χαίρεσαι γιατί νιώθεις το θεϊκό φως του καλοκαιριού να σε λυτρώνει.
Ο Κούρος περιγράφει το καλοκαίρι ως έναν ερωτικό τροφοδότη λογαριασμό που μας κάνει πλουσιότερους και πλουσιότερους ...

 «Διασκεδαστικός (τολμώ να πω) ο Κούρος, όχι υπό μία έννοια φθηνής ψυχαγωγίας, αλλά σε μια σφριγηλή και δροσάτη εκτύλιξη ενός καλοκαιριού κάτω από το άγρυπνο βλέμμα ενός ουσιώδους συμβολισμού, μιας ειρωνείας λεπτής κι ενός διάχυτου συναισθηματισμού. Η αφήγηση είναι σε όλο το μήκος της απολαυστική». Περιοδικό Ποιείν.

In this series, a contemporary poet selects and introduces a poet of the past. By their choice of poems and by the personal and critical reactions they express in their prefaces, the editors offer insights into their own work as well as providing an accessible and passionate introduction to some of the greatest poets of our literature. Allen Ginsberg (1926-97) was born in Newark, New Jersey, to a poet-teacher father and Russian emigre mother. Along with his friend Jack Kerouac, he attended Columbia University, but was initially expelled for writings obscenities on his dormitory window before returning to complete his graduation in 1948. When "Howl and Other Poems" was impounded by San Francisco customs in 1956, the subsequent trial for obscenity catapulted Ginsberg and his publisher City Lights to national fame and helped to define the Beat Generation. His "Collected Poems: 1947-1997" appeared in 2006.

A love song between an angel and an accountant in the suburbs of London from Man Booker shortlisted LevyShe is a shimmering, melancholy angel, flown from Paradise to save him from the suburbs of hell. He an accountant, dreaming of a white Christmas, a little garden and someone to love. She attempts to fly him away from his habits and fears, while he holds on tight to all he knows.

Man Booker Prize shortlisted Deborah Levy whips up a storm of romance and slapstick, of heavenly and earthly delights, in this dystopian philosophical poem about individual freedom and the search for the good life.

From her appearance in a small magazine in 1906 to her death in 1965, Anna Akhmatova was a dominant presence in Russian literary life. But this friend of Pasternak and Mandelstam was a poet in a country where poetry was literally a matter of life and death, as she found when Mandelstam and her own husband, Gumilyev, were executed, and her son imprisoned for many years in the Gulag. Akhmatova's first collection, Evening, appeared in 1912.

Rosary (1914) made her a household name. After the Revolution she went in and out of favour with the authorities, who sometimes allowed her to publish, sometimes banned her work. She is now most celebrated in the West for Poem Without A Hero and Requiem, a sequencemourning the victims of Stalin's Terror which was only published (and then outside Russia) in 1963.

This collection of lyric essays by award-winning poet Kim Moore explore the dynamics of performing poetry as a female poet - confronting the implications of being a female on public display, with the connotations of sexual objectification, in a context that traditionally disregards the body. Kim states "With the strides and gains made through the #MeToo movement, I believe the time is right for a book like this to make an impact. As a female poet, I know there is a need for such a book to examine the intersection between writing, performing, feminism and sexism. I wish this book had been written when I first started working as a freelance writer and I've had many conversations with other female poets who have also confirmed my thinking - that female poets are navigating these things regularly, and yet nobody is really writing or talking about them." The book draws on her experiences of writing and performing the poems in her second collection All the Men I Never Married. It is a balance of memoir, academic treatise and poetry, though the author's emphasis is on writing in a popular way and making the subject accessible to a wide audience. To achieve this her models have been Maggie Nelson's Bluets, Claudia Rankine's Citizen and Sarah Ahmed's Living a Feminist Life. The book's subjects include heckling at poetry readings and other interactions; problems with the 'male gaze' and what the 'female gaze' might look like in poetry; 'guilty for being a man': how guilt can be useful if it can bring about change; how writing poetry about sexism can shed add meaning to the term; the objectification of men and women, and 'bad faith' arguments.

This new collection of verse from one of "rock's original poets" (New York Times) effectively transmits the effect and aura, as well as the innocence, that make Smith a rock star.

This rousing anthology features the work of more than twenty-five writers from the great twentieth-century counter-cultural literary movement. Writing with an audacious swagger and an iconoclastic zeal, and declaiming their verse with dramatic flourish in smoke-filled cafes, the Beats gave birth to a literature of previously unimaginable expressive range. The defining work of Allen Ginsberg and Jack Kerouac provides the foundation for this collection, which also features the improvisational verse of such Beat legends as Gregory Corso, Lawrence Ferlinghetti, Gary Snyder and Michael McClure and the work of such women writers as Diane di Prima and Denise Levertov.

LeRoi Jones's plaintive ''Preface to a Twenty Volume Suicide Note'' and Bob Kaufman's stirring ''Abomunist Manifesto'' appear here alongside statements on poetics and the alternately incendiary and earnest correspondence of Beat Generation writers. Visceral and powerful, infused with an unmediated spiritual and social awareness, this is a rich and varied tribute and, in the populist spirit of the Beats, a vital addition to the libraries of readers everywhere.

Set in Fresno, the Sierra Nevadas and Greece, the poems in Before Kodachrome look back unflinchingly at a fractured California childhood in the 1950s and ‘60s. In the process they lay out in stark contrast the dimensions of a life where parents, real and surrogate, are at once loving and violent, attentive and neglectful, righteous and morally bankrupt. From his adopted homeland, the cradle of Western civilization, the poet weaves stories from classical mythology, the Old Testament, fairy tales and popular American culture that show how a balanced adult self can be formed, not by avoiding childhood trauma and insistently “moving on,” but by using language and narrative to delve deep into one’s past and bring back artifacts that provide meaning, stability and, yes, at times, transcendence.

atalog of Unabashed Gratitude is a sustained meditation on that which goes away--loved ones, the seasons, the earth as we know it--that tries to find solace in the processes of the garden and the orchard. That is, this is a book that studies the wisdom of the garden and orchard, those places where all--death, sorrow, loss--is converted into what might, with patience, nourish us.