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This collection of lyric essays by award-winning poet Kim Moore explore the dynamics of performing poetry as a female poet - confronting the implications of being a female on public display, with the connotations of sexual objectification, in a context that traditionally disregards the body. Kim states "With the strides and gains made through the #MeToo movement, I believe the time is right for a book like this to make an impact. As a female poet, I know there is a need for such a book to examine the intersection between writing, performing, feminism and sexism. I wish this book had been written when I first started working as a freelance writer and I've had many conversations with other female poets who have also confirmed my thinking - that female poets are navigating these things regularly, and yet nobody is really writing or talking about them." The book draws on her experiences of writing and performing the poems in her second collection All the Men I Never Married. It is a balance of memoir, academic treatise and poetry, though the author's emphasis is on writing in a popular way and making the subject accessible to a wide audience. To achieve this her models have been Maggie Nelson's Bluets, Claudia Rankine's Citizen and Sarah Ahmed's Living a Feminist Life. The book's subjects include heckling at poetry readings and other interactions; problems with the 'male gaze' and what the 'female gaze' might look like in poetry; 'guilty for being a man': how guilt can be useful if it can bring about change; how writing poetry about sexism can shed add meaning to the term; the objectification of men and women, and 'bad faith' arguments.

This highly enjoyable anthology has been chosen by Edward Mendelson, whose knowledge of Auden's writings is unrivalled. As he says in his introduction, these 'lighter verses' (some of them previously unpublished) share the intelligence, energy, skill, humour and wisdom that find their fullest expression in Auden's major poems.

In this extraordinary epic poem, Anne Carson bridges the gap between classicism and the modern, poetry and prose, with a volcanic journey into the soul of a winged red monster named Geryon. There is a strong mixture of whimsy and sadness in Geryon's story. He is tormented as a boy by his brother, escapes to a parallel world of photography, and falls in love with Herakles - a golden young man who leaves Geryon at the peak of infatuation.

Geryon retreats ever further into the world created by his camera, until that glass house is suddenly and irrevocably shattered by Herakles' return. Running throughout is Geryon's fascination with his wings, the colour red, and the fantastic accident of who he is. AUTOBIOGRAPHY OF RED is a deceptively simple narrative layered with currents of meaning, emotion, and the truth about what it's like to be red.

It is a powerful and unsettling story that moves, disturbs, and delights.

This rousing anthology features the work of more than twenty-five writers from the great twentieth-century counter-cultural literary movement. Writing with an audacious swagger and an iconoclastic zeal, and declaiming their verse with dramatic flourish in smoke-filled cafes, the Beats gave birth to a literature of previously unimaginable expressive range. The defining work of Allen Ginsberg and Jack Kerouac provides the foundation for this collection, which also features the improvisational verse of such Beat legends as Gregory Corso, Lawrence Ferlinghetti, Gary Snyder and Michael McClure and the work of such women writers as Diane di Prima and Denise Levertov.

LeRoi Jones's plaintive ''Preface to a Twenty Volume Suicide Note'' and Bob Kaufman's stirring ''Abomunist Manifesto'' appear here alongside statements on poetics and the alternately incendiary and earnest correspondence of Beat Generation writers. Visceral and powerful, infused with an unmediated spiritual and social awareness, this is a rich and varied tribute and, in the populist spirit of the Beats, a vital addition to the libraries of readers everywhere.

From the author of the bestselling Darwin: A Life in Poems, Ruth Padel's new collection follows in the footsteps of one of the world's greatest composers, Beethoven, and investigates what his life and music might mean to us todayTwo hundred and fifty years since Beethoven was born, Ruth Padel goes on a personal search for him, retracing his steps through war-torn Europe of the early nineteenth century, delving into his music, letters, diaries and the conversation books he used when deaf, to uncover the man behind the legend. Her quest, exploring the life of one of the most creative artists who ever lived, turns more personal than she expects, taking her into the sources of her own creativity and musicality. From a deeply musical family herself, Padel's parents met through music, and she grew up playing chamber music on viola - Beethoven's instrument as a child. Her father's grandfather, a concert pianist born on the German-Danish border, studied in Leipzig with a friend of Beethoven before immigrating to the UK. The poems in this illuminating biography in verse conjure not only Beethoven's life and personality, but her own music-making and love both of the European music-making tradition to which her father's family belongs, and to the continent itself Europe.

Set in Fresno, the Sierra Nevadas and Greece, the poems in Before Kodachrome look back unflinchingly at a fractured California childhood in the 1950s and ‘60s. In the process they lay out in stark contrast the dimensions of a life where parents, real and surrogate, are at once loving and violent, attentive and neglectful, righteous and morally bankrupt. From his adopted homeland, the cradle of Western civilization, the poet weaves stories from classical mythology, the Old Testament, fairy tales and popular American culture that show how a balanced adult self can be formed, not by avoiding childhood trauma and insistently “moving on,” but by using language and narrative to delve deep into one’s past and bring back artifacts that provide meaning, stability and, yes, at times, transcendence.

atalog of Unabashed Gratitude is a sustained meditation on that which goes away--loved ones, the seasons, the earth as we know it--that tries to find solace in the processes of the garden and the orchard. That is, this is a book that studies the wisdom of the garden and orchard, those places where all--death, sorrow, loss--is converted into what might, with patience, nourish us.

A few magical poems by Coleridge remain among the most celebrated works in the language: KUBLA KHAN, CHRISTABEL and - above all -THE ANCIENT MARINER. All are included in this volume, together with many other superb but lesser-known poems and a selected prose extracts from the BIOGRAPHIA LITERIA and the NOTEBOOKS which show that Coleridge was not only a major poet but also a great critic and prose writer.

With an Introduction by Donald McFarlan. Robert Burns, the most celebrated of all Scottish poets, is remembered with great devotion - his birthday on 25th January provokes fervour and festivity among Scots and many others the world over. Born in 1759 into miserable rustic poverty, by the age of eighteen Burns had acquired a good knowledge of both classical and English literature. In June 1786 his first collection of verse, Poems Chiefly in the Scottish Dialect, which included 'To a Mouse' and 'The Cotter's Saturday Night', was greeted with huge acclaim by all classes of society. His later poems and ballads include 'Auld Lang Syne', the beautiful song 'My Love is like a Red Red Rose', 'Highland Mary', 'Scots Wha Hae' and his masterpiece, 'Tam o'Shanter'.

The definitive edition of Dylan Thomas's five published volumes of poems: 18 POEMS, TWENTY-FIVE POEMS, THE MAP OF LOVE, DEATHS AND ENTRANCES and IN COUNTRY SLEEP. Dylan Thomas wrote passionately about life in all its moods and moments: from the first thrilling moments of childbirth to the darker moments of death and loss. COLLECTED POEMS is introduced by the poet himself with a passionate seashore 'Prologue', in which the self-styled Noah of poetry builds his ark against ruin.

This edition includes his last, unfinished poem 'Elegy', and the opening of 'In Country Heaven' - an ambitious project conceived after the dropping of the atom bomb.