Literature

A Portrait of the Artist as a Young Man represents the transitional stage between the realism of Joyce's Dubliners and the symbolism of Ulysses, and is essential to the understanding of the later work. This novel is a highly autobiographical account of the adolescence of Stephen Dedalus, who reappears in Ulysses, and who comes to realize that before he can become a true artist, he must rid himself of the stultifying effects of the religion, politics and essential bigotry of his background in late 19th century Ireland.

A Room of One's Own (1929) has become a classic feminist essay and perhaps Virginia Woolf's best known work; The Voyage Out (1915) is highly significant as her first novel. Both focus on the place of women within the power structures of modern society. The essay lays bare the woman artist's struggle for a voice, since throughout history she has been denied the social and economic independence assumed by men. Woolf's prescription is clear: if a woman is to find creative expression equal to a man's, she must have an independent income, and a room of her own. This is both an acute analysis and a spirited rallying cry; it remains surprisingly resonant and relevant in the 21st century. The novel explores these issues more personally, through the character of Rachel Vinrace, a young woman whose 'voyage out' to South America opens up powerful encounters with her fellow-travellers, men and women. As she begins to understand her place in the world, she finds the happiness of love, but also sees its brute power. Woolf has a sharp eye for the comedy of English manners in a foreign milieu; but the final undertow of the novel is tragic as, in some of her finest writing, she calls up the essential isolation of the human spirit.

When Miss Milner announces her passion for her guardian, a Catholic priest, she breaks through the double barrier of religious vocation and society's standards of `proper' womanly behaviour. Her love is legitimized when Dorriforth is released from his vows, but she finds her own unorthodox nature cannot conform to a marriage where her husband continues to be a stern moral guide. With a surenees of touch that prefigures Jane Austen, Elizabeth Inchbald shows that thereis no simple answer to their predicament, and that their conflict can only be resolved in the next generation. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Beautiful, bored and bourgeoise, Sabina leads a double life inspired by her relentless desire for brief encounters with near-strangers. Fired into faithlessness by a desperate longing for sexual fulfilment, she weaves a sensual web of deceit across New York. But when the secrecy of her affairs becomes too much to bear, Sabina makes a late night phone-call to a stranger from a bar, and begins a confession that captivates the unknown man and soon inspires him to seek her out...

Classe de 1ère - tronc commun Fading southern belle Blanche Dubois depends on the kindness of strangers and is adrift in the modern world. When she arrives to stay with her sister Stella in a crowded, boisterous corner of New Orleans, her delusions of grandeur bring her into conflict with Stella's crude, brutish husband Stanley. Eventually their violent collision course causes Blanche's fragile sense of identity to crumble, threatening to destroy her sanity and her one chance of happiness.

200 χρόνια και πλέον μετά τον θάνατό του, η ποίηση του Τζων Κητς έχει τη δύναμη να γοητεύει και να συγκινεί, αφήνοντας τον αναγνώστη με την αίσθηση μιας ασυνήθιστης, πολύ δυνατής συνάντησης. Η παρούσα μετάφραση μερικών από τα πιο αντιπροσωπευτικά ποιήματά του, από τα πρώτα σονέτα ώς τα έργα της ωριμότητάς του, τις μεγάλες ωδές, επιχειρεί να μας συστήσει εκ νέου τον μεγάλο δημιουργό, να μεταφέρει στη γλώσσα μας το άρωμα της ποίησής του – μιας ποίησης γήινης αλλά και αιθέριας, μιας ποίησης των αισθήσεων και των αντιθέσεων. Δοκιμάζοντας τις δυνάμεις του στα πιο διαφορετικά ποιητικά είδη, ο Κητς αποδεικνύεται ένας ευφυής πειραματιστής και ένας μοναδικός τεχνίτης του λόγου. Σε πορεία παράλληλη με την ποίησή του, οι επιστολές του (γράμματα σε φίλους, στα αδέρφια του, στους εκδότες του, στην αγαπημένη του Φάννυ) ανοίγουν ένα παράθυρο στην καθημερινή ζωή και σκέψη του ποιητή. Φωτίζουν τις αγωνίες μιας ψυχής που βάδιζε μέσα σε «αβεβαιότητες και μυστήρια» αναζητώντας την ομορφιά σε κάθε της έκφανση. Τα γράμματα του Κητς (κατά τον Έλιοτ, «τα σημαντικότερα που γράφτηκαν ποτέ από Άγγλο ποιητή») οδηγούν κατευθείαν στον πυρήνα της δημιουργικής διαδικασίας και τη φωτίζουν με τον πιο ουσιαστικό τρόπο.

Shortlisted for the Women's Prize for Fiction 2020One of the Guardian's and TLS's 'Best Books of 2019'In A Thousand Ships, broadcaster and classicist Natalie Haynes retells the story of the Trojan War from an all-female perspective, for fans of Madeline Miller and Pat Barker. This was never the story of one woman, or two. It was the story of them all . . . In the middle of the night, a woman wakes to find her beloved city engulfed in flames. Ten seemingly endless years of conflict between the Greeks and the Trojans are over. Troy has fallen. From the Trojan women whose fates now lie in the hands of the Greeks, to the Amazon princess who fought Achilles on their behalf, to Penelope awaiting the return of Odysseus, to the three goddesses whose feud started it all, these are the stories of the women embroiled in the legendary war. Powerfully told from an all-female perspective, in A Thousand Ships Natalie Haynes puts the women, girls and goddesses at the centre of the story. 'With her trademark passion, wit, and fierce feminism, Natalie Haynes gives much-needed voice to the silenced women of the Trojan War' - Madeline Miller, author of Circe'A gripping feminist masterpiece' - Deborah Frances-White, The Guilty Feminist

'Probably more people have shed tears over the last page of A Town Like Alice than about any other novel in the English language... remarkable' Guardian Jean Paget is just twenty years old and working in Malaya when the Japanese invasion begins. When she is captured she joins a group of other European women and children whom the Japanese force to march for miles through the jungle - an experience that leads to the deaths of many. Due to her courageous spirit and ability to speak Malay, Jean takes on the role of leader of the sorry gaggle of prisoners and many end up owing their lives to her indomitable spirit. While on the march, the group run into some Australian prisoners, one of whom, Joe Harman, helps them steal some food, and is horrifically punished by the Japanese as a result. After the war, Jean tracks Joe down in Australia and together they begin to dream of surmounting the past and transforming his one-horse outback town into a thriving community like Alice Springs... With an introduction by Eric Lomax, author of The Railway Man

Twain's account of travelling in Europe, A TRAMP ABROAD (1880), sparkles with the author's shrewd observations and highly opinionated comments on Old World culture, and showcases his unparalleled ability to integrate humorous sketches, autobiographical tidbits, and historical anecdotes in a consistently entertaining narrative. Cast in the form of a walking tour through Germany, Switzerland, France and Italy, A TRAMP ABROAD includes among its adventures a voyage by raft down the Neckar and an ascent of Mount Blanc by telescope, as well as the author's attempts to study art - a wholly imagined activity Twain 'authenticated' with his own wonderfully primitive pictures included in this volume.

Selected and Introduced by Booker-Prize winner Julian Barnes'Reading Cheever is a restless pleasure, the work never settles: these brilliant stories make me get up and walk around the room' Anne Enright John Cheever - the 'Chekhov of the suburbs' - forever altered the landscape of contemporary literature. In a career that spanned nearly fifty years, his short stories, often published in the New Yorker, gave voice to the repressed desires and smouldering disappointments of 1950s America as it teetered on the edge of spiritual awakening and sexual liberation in the ensuing decades. Selected for the first time, these satirical, fantastical, sad and transcendent stories show Cheever in all his brilliance and continue to speak directly to the heart of human experience. Winner of the Pulitzer Prize and the National Book Award