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Filled with passionate speeches and sensitive probing of moral and philosophical issues, this powerful and often-performed Greek drama reveals the grim fate that befalls the children of Oedipus. Footnotes.

Sophocles stands as one of the greatest dramatists of all time, and one of the most influential on artists and thinkers over the centuries. His plays are deeply disturbing and unpredictable, unrelenting and open-ended, refusing to present firm answers to the questions of human existence, or to provide a redemptive justification of the ways of gods to men or women. These three tragedies portray the extremes of human suffering and emotion, turning the heroic myths into supreme works of poetry and dramatic action. Antigone's obsession with the dead, Creon's crushing inflexibility, Deianeira's jealous desperation, the injustice of the gods witnessed by Hyllus, Electra's obsessive vindictiveness, the threatening of insoluble dynastic contamination... Such are the pains and distortions and instabilities of Sophoclean tragedy. And yet they do not deteriorate into cacophony or disgust or incoherence or silence: they face the music, and through that the suffering is itself turned into the coherence of music and poetry. These original and distinctive verse translations convey the vitality of Sophocles' poetry and the vigour of the plays in performance, doing justice to both the sound of the poetry and the theatricality of the tragedies. Each play is accompanied by an introduction and substantial notes on topographical and mythical references and interpretation.

As the daughter of Oedipus, Antigone was dealt a cruel hand at birth - even within the bounds of Grecian tragedy. When her brothers are slain fighting for the throne of Thebes, Antigone finds herself pitted against her uncle, the newly crowned King Creon. In defiance of the king, Antigone buries her brother's body, a choice she may pay for dearly.

In this new adaptation, we see Sophocles' play reignited by bestselling poet and writer Hollie McNish. Hollie's considered retelling brings Sophocles' original text to a modern-day audience, illuminating the remarkable resemblances between ancient Greek thought and the society we grapple with today.

Love and loyalty, hatred and revenge, fear, deprivation, and political ambition: these are the motives which thrust the characters portrayed in these three Sophoclean masterpieces on to their collision course with catastrophe. Recognized in his own day as perhaps the greatest of the Greek tragedians, Sophocles' reputation has remained undimmed for two and a half thousand years. His greatest innovation in the tragic medium was his development of a central tragic figure, faced with a test of will and character, risking obloquy and death rather than compromise his or her principles: it is striking that Antigone and Electra both have a woman as their intransigent 'hero'. Antigone dies rather neglect her duty to her family, Oedipus' determination to save his city results in the horrific discovery that he has committed both incest and parricide, and Electra's unremitting anger at her mother and her lover keeps her in servitude and despair. These vivid translations combine elegance and modernity, and are remarkable for their lucidity and accuracy. Their sonorous diction, economy, and sensitivity to the varied metres and modes of the original musical delivery make them equally suitable for reading or theatrical peformance. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Written over a period of twenty years, the poems in this collection chart the experiences of an American living in Greece. This odyssey of sorts is told in four parts, tracing a personal journey from naivete and alienation to identity and belonging. Don Schofield touches upon urban and island life in contemporary Greece that few outsiders see. Skillfully juxtaposing the old with the new, the expected with the unexpected, the historical with the modern, he entertains various themes bringing the past into relation with the present. Seemingly disparate traditions are merged - the pagan with the Christian, American literature with classical Greek. The main speaker often appears as the antithesis of the classical hero, Odysseus, willing to look foolish, lost and bewildered, and at times acknowledging his own moral weakness. Conventional interpretations of myth are redefined as personas from the archaic and biblical worlds examine the nature of desire or the experience of loss and exile on a contemporary stage. By dint of acute observation and innate sensitivity, Schofield evokes a sense of place by working himself into the psyche of the people and the landscape, thus enabling him to enr

An action-filled reimagining of the famous Greek myth, Jason and the Golden Fleece, brilliantly told by classicist Mark Knowles. He has come to take what is yours... Iolkos, Thessaly. 1230 BC. King Pelias has grown paranoid, tormented by his murderous past and a prophecy of the man who will one day destroy him. When a stranger arrives to compete in the Games of Poseidon, Pelias is horrified, for this young man should never have grown to manhood. He is Jason, Pelias' nephew, who survived his uncle's assassins as a child. Now Jason wants his revenge - and the kingdom. But Pelias is cunning as well as powerful. He gives his foe an impossible challenge: to claim the throne, Jason must first steal the fabled Golden Fleece of Colchis. Jason assembles a band of Greece's finest warriors. They are the Argonauts, named for their trusty ship. But even with these mighty allies, Jason will have to overcome the brutal challenges hurled his way. His mission and many lives depend on his wits - and his sword. PRAISE FOR ARGO AND MARK KNOWLES: 'Mark Knowles has taken the legend of Jason and the Golden Fleece, and stripped it down to its bare bones... What is left is a deeply researched historical epic, so brilliantly brought to life I could taste the salt air on my tongue... Epic battles, well-rounded characters sailing through a brilliantly described world' Adam Lofthouse, author of The Centurion's Son'What a spectacular triumph! Knowles has taken a reassuringly familiar legend and elevated it into a new, realistic and engrossing story' Sam Taw'[Knowles] has teamed his love of learning classics and childhood love of sword-and-sandals epics to accomplish something remarkable' Boarding Schools' Association'Knowles has combined historical realities with sure-footed imagination... brilliant' Dr Paul Millett, Cambridge University (on The Consul's Daughter)

Marrying deft social commentary to a rich, earthy comedy, the three comedies collected in Aristophanes' "The Frogs and Other Plays" offers a unique insight into one of the most turbulent periods in Ancient Greek history.
This "Penguin Classics" edition is translated by David Barrett with revisions, an introduction and notes by Shomit Dutta.
The master of ancient Greek comic drama, Aristophanes combined slapstick, humour and cheerful vulgarity with acute political observations. In "The Frogs", written during the Peloponnesian War, Dionysus descends to the Underworld to bring back a poet who can help Athens in its darkest hour, and stages a great debate to help him decide between the traditional wisdom of Aeschylus and the brilliant modernity of Euripides. The clash of generations and values is also the object of Aristophanes' satire in Wasps, in which an old-fashioned father and his loose-living son come to blows and end up in court. And in "Women at the Thesmophoria", the famous Greek tragedian Euripides, accused of misogyny, persuades a relative to infiltrate an all-women festival to find out whether revenge is being plotted against him. Shomit Dutta's introduction discusses Aristophanes' life, the cultural context of his work and conventions of Greek comedy.

Aristophanes is the only surviving representative of Greek Old Comedy, an exuberant form of festival drama which flourished in Athens during the fifth century BC. One of the most original playwrights in the entire Western tradition, his comedies are remarkable for their brilliant combination of fantasy and satire, their constantly inventive manipulation of language, and their use of absurd characters and plots to expose his society's institutions and values to thebracing challenge of laughter. This vibrant collection of verse translations of Aristophanes' works combines historical accuracy with a sensitive attempt to capture the rich dramatic and literary qualities of Aristophanic comedy. The volume presents Clouds, with its famous caricature of the philosopher Socrates; Women at the Thesmophoria (or Thesmophoriazusae), a work which mixes elaborate parody of tragedy with a great deal of transvestite burlesque; and Frogs, in which the deadtragedians Aeschylus and Euripides engage in a vituperative contest of 'literary criticism' of each other's plays. Featuring expansive introductions to each play and detailed explanatory notes, the volume also includes an illuminating appendix, which provides information and selected fragments from the lost plays of Aristophanes.

"AROUND THE LAGOON", which Papadiamandis first published in two instalments in the magazine "Estia" in May 1 892, is one of his most finely crafted and densely written stories. A realistic setting and a flimsy plot are used to support a wealth of highly symbolic content. The physical descriptions of the terrain in Papadiamandis's story are detailed and precise enough for us to imagine the natural setting in our mind's eye. The lagoon around which the story is set is situated immediately to the east of Skiathos town and is separated from the bay (to its south) by a strip of land, some of which is still occupied by the boatyard that Papadiamandis describes. The lagoon stands at the southern end of a narrow plain that is bordered on each side by a row of hills. It is in this plain that Alexandros Papadiamandis Airport has been built, its runway now covering the whole of the western part of the lagoon. Despite this, much of what remains of the lagoon seems to have changed little since Papadiamandis's day, and it is still a rich wildlife habitat, most of its water being supplied by the sea through a single channel (there were two channels in Papadiamandis's day) but supplemented by fresh water entering from underground sources at the northern end.