Δοκίμιο & Πολιτισμός

Dutch journalist Judit Neurink arrived in Iraq in 2008 to set up a training center for journalists. She reported as a correspondent on the development in the Kurdistan Region of Iraq, the rise and fall of the Islamic terror group ISIS and the kidnapping and murder of thousands of Yazidis. She witnessed the division of Iraq on the basis of ethnicity and religion and heard the ever louder call for a strong leader. For her, it all led to a strong connection to the country. More so, when with the protests by young Iraqis against the corruption, lawlessness and violence, aroused new hope. At the same time, a vengeful ISIS reappeared as a threat – as the death of Abu Bakr al-Baghdadi had no effect. Neurink came to help in rebuilding Iraq, but more and more had to report on tensions and violence. She could not remain immune from the suffering, and that eventually led to her leaving. In “Violence Recycled” she looks back at a tumultuous decade, and shows the reader the cultural diversity, deeply rooted conflicts and highs and lows of a country that she came to love, but for which a peaceful future seems an almost impossible dream. Judit Neurink (1957) is a journalist and writer. She writes for Dutch, Belgian and international media and published “The War of ISIS, Slaves Wives and Brides” and the novel “The Jewish Bride”.

Voltaire (1694-1778), best remembered as the author of Candide, is one of the central actors - arguably the defining personality - of the European Enlightenment. In this Very Short Introduction, Nicholas Cronk explores Voltaire's remarkable career and demonstrates how his thinking is pivotal to our notion and understanding of the Enlightenment. In a fresh and modern examination of his writings, Cronk examines the nature of Voltaire's literary celebrity, demonstrating the extent to which his work was reactive and practical, and therefore made sense within the broader context of the debates to which he responded. The most famous living author in Europe in the 18th century, Cronk emphasises Voltaire's skills of 'performance' as a writer and his continued relevance today. He concludes by looking not only at Voltaire's impact in literatureand philosophy, but also his influence on French political values and modern French politics. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

In this compelling tour of the classical world, Peter Jones reveals how it is the power, scope and fascination of their ideas that makes the Ancient Greeks and Romans so important and influential today. For over 2,000 years these ideas have gripped Western imagination and been instrumental in the way we think about the world. Covering everything from philosophy, history and architecture to language and grammar, Jones uncovers their astonishing intellectual, political and literary achievements. First published twenty years ago, this fully updated and revised edition is a must-read for anyone who wishes to know more about the classics - and where they came from.

Walking in Athens is a unique compilation of photos and accompanying articles, that came about from walking in various neighborhoods of the city. Mixed architectural styles, crumbling houses juxtaposed with concrete buildings, empty facades next to sound apartment blocks, this is a guide to a secret landscape. A compilation that speaks not just about architecture - it speaks about people coming and going, society changing, civilization evolving.

Cavafy travelled for the first time in Greece in the summer of 1901 during a period of leave from his job.The poet was 38 years old and was accompanied by his brother Alexandros. Travelling to Athens with Cavafy is a fascinating experience. We above all discover that despite the fact that a hundred and ten years have gone by and even dramatic changes have occurred in the capital, especially after the arrival of the million and a half refugees of Asia Minor, the city centre has preserved the broad outline of its physiognomy. The urban grid, shaped like a large isosceles triangle and dating from the time of King Otto is still the most obvious trait of Athens, while the large public buildings that are visited today would have been seen by Cavafy in the same way. The majority of changes have occurred in the archaeological zone which at the time of Cavafy was still partially inhabited, and in human geography. Many theatres, cafes and buildings mentioned by Cavafy no longer exist, being unable to survive the historical watershed between 1922 and 1949, which effectively marks the start of a new chapter in the history of “Athens the Capital” but above all marks the demographic and urban boom of the city.

"Nick Hunt has written a glorious book, rich with insight and wit, about walking his way both across and into contemporary Europe. . . . So many memorable encounters with people and places! A book about gifts, modernity, endurance and landscape, it represents a fine addition to the literature of the leg."—Robert Macfarlane, award-winning travel writer, author of The Wild Places and The Old Ways: A Journey On Foot In 1933, eighteen-year-old Patrick Leigh Fermor set out to chance and charm his way across Europe, "like a tramp, a pilgrim, or a wandering scholar." The books he later wrote about this walk, including Between the Woods and the Water, are a half-remembered, half-reimagined journey through cultures now extinct and landscapes irrevocably altered by the traumas of the twentieth century. Nick Hunt dreamed of following in Fermor's footsteps. In 2011 he began his own "great trudge"—on foot all the way to Istanbul. He walked across eight countries, following two major rivers and crossing three mountain ranges. With only Fermor's books to guide him, he trekked some 2,500 miles from Holland to Turkey. Why? For an old-fashioned adventure. To discover for himself what remained of hospitality, kindness to strangers, freedom, wildness, the unknown, the deeper currents of myth that still flow beneath Europe's surface. This is a story worthy of Fermor's own. Nick Hunt is a travel writer, freelance journalist, fiction writer, and storyteller whose articles have appeared in the Economist, the Guardian, and other publications. He is also co-editor of The Dark Mountain.

On your walks in Athens, with your family or friends, you will surely come across huge statues like giants - you could even stand beside them and find out how tall they really are. Riders appear suddenly out of Byzantine icons or marble reliefs - can you picture yourself as a rider? You will come across buildings that measure time, works of art depicting musicians -can you hear their song? The pages of this book will take you through the streets of Athens, a city that has many stories to tell, a city that can fascinate and entertain you. Inside this book you will find: - Suggestions about where to go and what to see. - Activities and things to make. - An inventory of everything we suggest you see. Take notes about the time you saw or visited the various monuments. Send postcards to your friends, keep the plastic bottles of water you drink as you walk around the city in order to make an hourglass, observe the sky at night and make your own paintings... There are lots of ways to see a city!

'Heady, exhilarating, often astonishing' New York Times 'Iridescently original, deeply disorientating and yet somehow radically hopeful ... worth reading and rereading' Brian Eno 'Be prepared to re-evaluate your relationship with the amazing life forms with whom we share the planet. Fascinating, innovative and thought provoking: I thoroughly recommend Ways of Being' Dr Jane Goodall, DBERecent years have seen rapid advances in 'artificial' intelligence, which increasingly appears to be something stranger than we ever imagined.

At the same time, we are becoming more aware of the other intelligences which have been with us all along, unrecognized. These other beings are the animals, plants, and natural systems that surround us, and are slowly revealing their complexity and knowledge - just as the new technologies we've built are threatening to cause their extinction, and ours. In Ways of Being, writer and artist James Bridle considers the fascinating, uncanny and multiple ways of existing on earth.

What can we learn from these other forms of intelligence and personhood, and how can we change our societies to live more equitably with one another and the non-human world? From Greek oracles to octopuses, forests to satellites, Bridle tells a radical new story about ecology, technology and intelligence. We must, they argue, expand our definition of these terms to build a meaningful and free relationship with the non-human, one based on solidarity and cognitive diversity. We have so much to learn, and many worlds to gain.

Pronunciation governs our regional and social identity more powerfully than any other aspect of spoken language. No wonder, then, that it has attracted most attention from satirists. In this intriguing book, David Crystal shows how our feelings about pronunciation today have their origins in the way our Victorian predecessors thought about the subject, as revealed in the pages of the satirical magazine, Punch. In the sixty years between its first issue in 1841 and the death of Queen Victoria in 1901, jokes about the fashions affecting English usage provide one of Punch's most fruitful veins of humour, from the dropped aitches of the Cockney accent to the upper-class habit of dropping the final `g' (huntin' and fishin'). For 'We Are Not Amused', David Crystal has examined all the issues during the reign of Queen Victoria and brought together the cartoons and articles that poked fun at the subject of pronunciation, adding a commentary on the context of the times, explaining why people felt so strongly about accents, and identifying which accents were the main source of jokes. The collection brings to light a society where class distinction ruled, and where the way you pronounced a word was seen as a sometimes damning index of who you were and how you should be treated. It is a fascinating, provocative and highly entertaining insight into our on-going amusement at the subject of how we speak.