Ελλάδα

First published English translation of the landmark 1840 utopian novel. Radical in its day, this landmark utopian 1840 novel traces the journey of fictional British Lord Clarisdall to the exotic island nation of Icaria. To Clarisdell's amazement, devoid of competition or property, Icaria flourishes, triumphing over the social evils of 19th-century capitalism.

When the dust settled and the blood dried after the Battle of Plataea, Greeks might have thought that their freedom was secured. But before the corpse of the Great King's general was cold, Athens and Sparta began to bicker over dividing up the spoils. After an autumn of victory, it's a long cold winter among the burned cities and destroyed shrines of Greece, and a hungry spring. And when Arimnestos goes to sea to cruise the Persian-held coasts, he finds that Persia is still not beaten... and that old alliances are now fraying. Is the impossible true? Would the Spartans rather see Athens destroyed than Persia defeated? And who will save the cities of Ionia from the Great King's wrath?It's the spring of 478BCE, and the Long War isn't over yet.

Troy is familiar to us from the timeless and epic tales of Homer's Iliad and Virgil's Aeneid. These have been retold over the centuries by writers from Chaucer to Shakespeare to Madeline Miller and Rick Riordan, and enacted by stars such as Elizabeth Taylor and Brad Pitt. But how much do we really know about the city of Troy; its storytellers, myth, actual location or legacy? In this richly illustrated book, the story of Troy is told through a new lens. Published to accompany an exhibition at the British Museum, it introduces the storytellers and Classical artists inspired by the myths of Troy, then examines the tales themselves - from the Judgment of Paris to the return of Odysseus - through the Classical objects for which the museum is internationally known. The third section focuses on Heinrich Schliemann's excavations at Hissarlik, introducing the nineteenth-century search for the location of Troy that convinced the world that this city did once exist. Also explored is the possible Bronze Age background for the myth of the Trojan War, the historicity of which remains unresolved today. The final section delves into the legacy of Troy, and the different ways in which its story has been retold, both in literature and art, from Homer to the present day. Focusing on the major characters - Helen of Troy, Achilles and Hector, Aeneas and Odysseus - it illustrates how artists from Cranach and Rubens to Romare Bearden and Cy Twombly have been inspired by this archetypal tale to reflect on contemporary themes of war and heroism, love and beauty.

Twelve Voices from Greece and Rome is a book for all readers who want to know more about the literature that underpins Western civilization. Chistopher Pelling and Maria Wyke provide a vibrant and distinctive introduction to twelve of the greatest authors from ancient Greece and Rome, writers whose voices still resonate strongly across the centuries: Homer, Sappho, Herodotus, Euripides, Thucydides, Plato, Caesar, Cicero, Virgil, Horace, Juvenal and Tacitus. To what vital ideas do these authors give voice? And why are we so often drawn to what they say even in modern times? Twelve Voices investigates these tantalizing questions, showing how these great figures from classical antiquity still address some of our most fundamental concerns in the world today (of war and courage, dictatorship and democracy, empire, immigration, city life, art, madness, irrationality, and religious commitment), and express some of our most personal sentiments (about family and friendship, desire and separation, grief and happiness). These twelve classical voices can sound both compellingly familiar and startlingly alien to the twenty-first century reader. Yet they remain suggestive and inspiring, despite being rooted in their own times and places, and have profoundly affected the lives of those prepared to listen to them right up to the present day.

Lamentation practices can empower the potentiality to defy patriarchal orders ruling everyday life. Always a collective process, lamentation inscribes loss and vulnerability by tending bridges towards the world of the dead and the more-than-human. Gestures such as singing or breathing, gathering, and performances that exceed rationality can inspire a renewed approach to life and death, rural and urban. After all, amidst ongoing processes of extinction, how to mourn a queer activist, a Roma father, a burnt forest, an exiled body, and a ship sunken in the Mediterranean? How to experience loss not as something individual, but within an expanded continuum of pain? How to explore emotions beyond the private sphere? Through case studies and narrations, in different times and geographies surrounding the Aegean Sea, this book amplifies the echoes of collective tears to invigorate contemporary mourning practices that claim public space by grief, rage, and affect.

Eleftherios Venizelos (1864-1936) was the outstanding Greek statesman of the first half of the twentieth century. Michael Llewellyn-Smith traces his early years, political apprenticeship in Crete, and energetic role in that island's emancipation from both Ottoman rule and the arbitrary rule of Prince George of Greece. Summoned to Athens in 1910 by a cabal of officers, Venizelos mastered the Greek political scene, sent the military back to barracks, and led the country through a glorious period of constitutional and political reform, ending in a Balkan alliance waging successful war against Ottoman rule in Europe. By 1914, Greece had doubled in territory and population, and was about to face the challenges of European war. Tensions were rising between the king and the prime minister, foreshadowing political schism. This book illuminates Venizelos' political mastery, liberalism and nationalism, and traces his fateful friendship with David Lloyd George. A second volume will complete his story, with the Great War, the post-war peace settlement, Greece's Asia Minor disaster, and Venizelos' late years of renewed prime ministerial office, political polarisation and exile in Paris.

This book presents the artifacts found during the archaeological excavation at Vergina and it refers to the myths ans stories of the Macedonian land.

In this compelling tour of the classical world, Peter Jones reveals how it is the power, scope and fascination of their ideas that makes the Ancient Greeks and Romans so important and influential today. For over 2,000 years these ideas have gripped Western imagination and been instrumental in the way we think about the world. Covering everything from philosophy, history and architecture to language and grammar, Jones uncovers their astonishing intellectual, political and literary achievements. First published twenty years ago, this fully updated and revised edition is a must-read for anyone who wishes to know more about the classics - and where they came from.

Walking in Athens is a unique compilation of photos and accompanying articles, that came about from walking in various neighborhoods of the city. Mixed architectural styles, crumbling houses juxtaposed with concrete buildings, empty facades next to sound apartment blocks, this is a guide to a secret landscape. A compilation that speaks not just about architecture - it speaks about people coming and going, society changing, civilization evolving.

Cavafy travelled for the first time in Greece in the summer of 1901 during a period of leave from his job.The poet was 38 years old and was accompanied by his brother Alexandros. Travelling to Athens with Cavafy is a fascinating experience. We above all discover that despite the fact that a hundred and ten years have gone by and even dramatic changes have occurred in the capital, especially after the arrival of the million and a half refugees of Asia Minor, the city centre has preserved the broad outline of its physiognomy. The urban grid, shaped like a large isosceles triangle and dating from the time of King Otto is still the most obvious trait of Athens, while the large public buildings that are visited today would have been seen by Cavafy in the same way. The majority of changes have occurred in the archaeological zone which at the time of Cavafy was still partially inhabited, and in human geography. Many theatres, cafes and buildings mentioned by Cavafy no longer exist, being unable to survive the historical watershed between 1922 and 1949, which effectively marks the start of a new chapter in the history of “Athens the Capital” but above all marks the demographic and urban boom of the city.