Poésie

Elegies of Chu (in Chinese, Chuci), one of the two surviving collections of ancient Chinese poetry, is a key source for the whole tradition of Chinese poetry. Because the elegies contain passionate expressions of political protest as well as shamanistic themes of magic spells and wandering spirits, they present an alternative face of early Chinese culture; one that does not align with orthodox Confucianism. This translation employs literary English devicesin order to emphasise the original structure of these Chinese poems. It also examines the extraordinarily vivid diction of the source texts, including of onomatopoeia, ornate descriptions, exotic flowers, dramatic landscapes, metaphors and startling similes. This translation will be based on the original anthology compiled in the Han dynasty by Wang Yi (2nd century CE), and contains a selection of poems that were collected from the 3rd century BCE through the Han dynasty. The anthology provides readers with an understanding of Chinese literature and its evolution from free-spirited, mythico-religious songs to the more formal, polished style of the Han court.

Over 100 best-known, best-loved poems by one of America s foremost poets, reprinted from authoritative early editions. The Snake, Hope, The Chariot, many more, display unflinching honesty, psychological penetration, technical adventurousness that have delighted and impressed generations"

Poetry in English as we know it was largely invented in England between the early 1500s and 1630, and yet for many years the poetry of the era was considered little more than a run-up to Shakespeare. The twentieth century brought a reevaluation, and the English Renaissance has since come to be recognized as the period of extraordinary poetic experimentation that it was. Never since have the possibilities of poetic form and, especially, poetic voice--from the sublime to the scandalous and slangy--been so various and inviting. This is poetry that speaks directly across the centuries to the renaissance of poetic exploration in our own time.

Anne Waldman takes the opportunity with this twentieth-anniversary expanded edition to add twenty poems to this collection that brings into focus her lifelong engagement with "Chant" as central to contemporary performative poetry. Here are spells, invocations, laments, ritual rants. Archaic beliefs in magic and ecstasy meet current notions of the power of the spoken word.

Waldman writes, "The poem is a textured energy field or modal structure. The poems for performance seem to manifest as psychological states of mind. They come together in a mental, verbal, physical, and emotional form, making their particular demands on my voice and body.

I am the 'energumen.' The poem is the experience." Also included in this book are three essays on the oral tradition in poetry. One essay discusses the history and occasion of the title poem. The others treat such topics as performance art and poetic tradition, ethnopoetics, intoxication and transformation, Tibetan Buddhism, and the renewed ascendency of feminine energy in writing.

Anne Waldman, world renowned for her high-energy poetry performances, is the author of over thirty books and chapbooks of poetry. She is the co-founder and director of The Jack Kerouac School of Disembodied Poetics at the Naropa Institute in Boulder, Colorado. "Anne Waldman is one of the fastest, wisest women to run with the wolves in some time." -- The New York Times Book Review Anne Waldman, world renowned for her high-energy poetry performances, is the co-founder and director of The Jack Kerouac School of Disembodied Poetics at the Naropa Institute in Boulder, Colorado.

She is the author of over thirty books and chapbooks of poetry including The Iovis Trilogy: Colors in the Mechanism of Concealment, Voice's Daughter of a Heart Yet to be Born, and Manatee/Humanity (Penguin Poets).

Hand in Hand with Love is a celebration of queer voices throughout the ages. Spanning from Sappho and the Ancient Greeks to Edna St. Vincent Millay and the modernists, this luminous anthology champions and redefines the spectrum of queer poetry. Part of the Macmillan Collector's Library; a series of stunning, cloth-bound, pocket-sized classics with gold foiled edges and ribbon markers. These beautiful books make perfect gifts or a treat for any book lover. This edition is edited by Dr Simon Avery, a specialist in queer history and culture at the University of Westminster. Featuring visionary writers whose only space to express their intimate thoughts was on the page, pioneering poets who battled prejudice to be bold and forthright, and an electrifying range of famous authors such as Walt Whitman, Emily Dickinson and Oscar Wilde, these dynamic voices paved the way for decades to come. Together, they offer a vivid archive of queer identity to be celebrated, discovered and treasured.

Allen Ginsberg was the bard of the beat generation, and Howl, Kaddish and Other Poems is a collection of his finest work published in Penguin Modern Classics, including 'Howl', whose vindication at an obscenity trial was a watershed moment in twentieth-century history.

'I saw the best minds of my generation destroyed by madness, starving hysterical naked'

Beat movement icon and visionary poet, Allen Ginsberg broke boundaries with his fearless, pyrotechnic verse. This new collection brings together the famous poems that made his name as a defining figure of the counterculture. They include the apocalyptic 'Howl', which became the subject of an obscenity trial when it was first published in 1956; the moving lament for his dead mother, 'Kaddish'; the searing indictment of his homeland, 'America'; and the confessional 'Mescaline'. Dark, ecstatic and rhapsodic, they show why Ginsberg was one of the most influential poets of the twentieth century.

Allen Ginsberg (1926-97) was an American poet, best known for the poem 'Howl' (1956), celebrating his friends of the Beat Generation and attacking what he saw as the destructive forces of materialism and conformity in the United States at the time. He was inducted into the American Academy of Arts and Letters, was awarded the medal of Chevalier de l'Ordre des Arts et des Lettres by the French Minister of Culture, won the National Book Award for The Fall of America and was a co-founder of the Jack Kerouac School of Disembodied Poetics at the Naropa Institute, the first accredited Buddhist college in the Western world.

If you enjoyed Howl, Kaddish and Other Poems, you might like Jack Kerouac's On the Road, also available in Penguin Modern Classics.

'The poem that defined a generation'
Guardian on 'Howl'

'He avoids nothing but experiences it to the hilt'
William Carlos Williams

Angelos Kouros’ “I swear to you on the mountain, I have no holier oath” is a poetic narration of an exodus from the city to the mountains – a narration of a much-needed catharsis. Formed as a unified poem, it has all the elements that make poetry great: the specific, the tangible, the “deep” (in the sense of conceiving metaphysical meaning) and at the same time the “simple” with the Giorgos Seferis’ way “to speak simply, to be granted that grace”. The collection was originally published in the volume “σου ορκίζομαι στο βουνό, ιερότερο όρκο δεν έχω” in 2020 by “Kapa Publications” in Greece to critical acclaim. Featuring expert translation by Angelos Sakkis this volume also includes an addendum with notes on all the relevant mountains and trees. 

"Szilâard Borbâely's is one of the most searching and powerful poetic voices to emerge in the twenty-first century. In a Bucolic Land was Borbâely's final work, completed but left unpublished at the time of his premature death in 2014. At the heart of the book are poems in which Borbâely returns to his 1960s childhood in a tiny impoverished town in northeastern Hungary. Conditions were brutal, as the poems attest, even as, shifting between present and past, they are also invested with a strange shimmering sense of myth and eternity. The book opens and closes with two elegies for Borbâely's teacher Lajos Szuromi in which the poet meditates on the nature of language and speech and on the adequacy of words to speak of and for the dead. Ottilie Mulzet's English translation conveys the full power of a writer of whom Lâaszlâo Krasznahorkai has said, "He was a poet-a great poet-who shatters us.""--

James Merrill once called his poetic works 'chronicles of love and loss', and in twenty books written over four decades he used the details of his life - comic and haunting, exotic and domestic - to shape a compelling, sometimes intensely moving, personal portrait. Sophisticated, witty and ironic, his poetry also engages passionately with topical issues - war, terrorism, political corruption, AIDS, climate change and the destruction of nature. An admirer of Wallace Stevens, Elizabeth Bishop and W.

H. Auden, Merrill, like them, has left a legacy that will speak to readers for years to come.