Λογοτεχνία - Γραφή

Ever wondered about how to really interpret poetry? Puzzled about metre, rhyming and stanzas? Presented in language thoroughly accessible for all, poet and writer Ruth Padel demystifies poetic style, structure and meaning in this comprehensive anthology of modern poemsBased on the author's popular column in The Independent on Sunday, each poem is accompanied by an informative and entertaining explanatory excerpt by Padel. Featuring an assortment of contemporary poets from Carol Ann Duffy to Seamus Heaney, the collection thematically encompasses universal subjects of love, sex, family, death, as well as more obscure matters - for instance, loneliness when listening to the shipping forecast. A poem for each week of the year, Padel's exploration of the literary form expertly combines technical analysis with imaginative, creative interpretation - sure to make any reader fall in love with the modern verse.

'She argues away the idea that contemporary poetry is "difficult": all it needs is a little work and the rewards are great' Sunday Times

From the very first book publication in 1920 to the upcoming film release of Death on the Nile, this investigation into Agatha Christie's Hercule Poirot celebrates a century of probably the world's favourite fictional detective. This book tells his story decade-by-decade, exploring his appearances not only in the original novels, short stories and plays but also across stage, screen and radio productions. Poirot has had near-permanent presence in the public eye ever since the 1920 publication of The Mysterious Affair at Styles. From character development, publication history and private discussion concerning the original stories themselves, to early forays on to the stage and screen, the story of Poirot is as fascinating as it is enduring. Based on the author's original research, review excerpts and original Agatha Christie correspondence, Poirot: The Greatest Detective in the World is a lively and accessible history of the character, offering new information and helpful pieces of context, that will delight all Agatha Christie fans, from a new generation of readers to those already highly familiar with the canon.

E.M. Forster's Aspects of the Novel is an innovative and effusive treatise on a literary form that, at the time of publication, had only recently begun to enjoy serious academic consideration. This Penguin Classics edition is edited with an introduction by Oliver Stallybrass, and features a new preface by Frank Kermode. First given as a series of lectures at Cambridge University, Aspects of the Novel is Forster's analysis of this great literary form. Here he rejects the 'pseudoscholarship' of historical criticism - 'that great demon of chronology' - that considers writers in terms of the period in which they wrote and instead asks us to imagine the great novelists working together in a single room. He discusses aspects of people, plot, fantasy and rhythm, making illuminating comparisons between novelists such as Proust and James, Dickens and Thackeray, Eliot and Dostoyevsky - the features shared by their books and the ways in which they differ. Written in a wonderfully engaging and conversational manner, this penetrating work of criticism is full of Forster's habitual irreverence, wit and wisdom. In his new introduction, Frank Kermode discusses the ways in which Forster's perspective as a novelist inspired his lectures. This edition also includes the original introduction by Oliver Stallybrass, a chronology, further reading and appendices. E. M. Forster (1879-1970) was a noted English author and critic and a member of the Bloomsbury group. His first novel, Where Angels Fear To Tread appeared in 1905. The Longest Journey appeared in 1907, followed by A Room With A View (1908), based partly on the material from extended holidays in Italy with his mother. Howards End (1910) was a story that centered on an English country house and dealt with the clash between two families, one interested in art and literature, the other only in business. Maurice was revised several times during his life, and finally published posthumously in 1971. If you enjoyed Aspects of the Novel, you might like Forster's A Room with a View, also available in Penguin Classics.

In Catching Fire, the translation of Diamela Eltit's Never Did the Fire unfolds in real time as a conversation between works of art, illuminating both in the process. The problems and pleasures of conveying literature into another language-what happens when you meet a pun? a double entendre?-are met by translator Daniel Hahn's humor, deftness, and deep appreciation for what sets Eltit's work apart, and his evolving understanding of what this particular novel is trying to do.

The bicentennial anniversary of the birth of the modern Greek state offers an opportunity for study, thought and dream. In such a process, Odysseus Elytis’ penetrating thought is invaluable.

The one hundred and thirty selected passages from Elytis’ prose writings, included in the book, shape another kind of patriotic discourse. Greece, the history of Hellenism, the Greek language, the Greek sea – the Aegean, Greek nature, Greek art and Greek reality constitute the seven central themes of these writings.

Odysseus Elytis clarifies, urges, denounces and offers us Ariadne’s thread for a voyage in the pathways of ideas and sensibilities of our country proceeds; our country, that is, as it was seen and understood by Elytis, who was not afraid to declare himself a Greek “organically, psychologically, sensuously, invincibly!”.

Travel back in time and share the experience of everyday thoughts and great moments in history in this fascinating compilation of diaries through the ages.

Great Diaries traces the history of the diary from ancient times to the present day, bringing together more than 80 historical and literary diaries, artists' sketchbooks, explorers' journals, and scientists' notebooks. Discover what it was like to build a pyramid, sail the seas with Magellan, travel into the heart of Africa, or serve on the Western Front. Find out how writers and artists planned their masterpieces, and how scientists developed their groundbreaking theories.

Great Diaries takes you into the pages of the world's greatest diaries and notebooks, including those of Samuel Pepys, Charles Darwin, Henry-David Thoreau, the Goncourt brothers, Virginia Woolf, and Anne Frank, and shows you what they looked like. Stunning images of the original notebooks and manuscripts are complemented by key extracts and close-ups of important details. Feature boxes provide additional biographical information and set the works in their cultural and historical context.

Essential reading for everyone who is passionate about history and literature, Great Diaries provides an intimate insight into the lives and thoughts of some of the most interesting people of the last 2,000 years.

Acclaimed author of On Kissing, Tickling and Being Bored andOn KindnessA collection of literary essays like no other - exploring the deep connections between literature and psychoanalysis - from Britain's leading psychoanalystFor Adam Phillips - as for Freud and many of his followers - poetry and poets have always held an essential place, as both precursors and unofficial collaborators in the psychoanalytic project. But the same has never held true in reverse. What, Phillips wonders, at the start of this deeply engaging book, has psychoanalysis meant for writers? And what can writing do for psychoanalysis?Phillips explores these questions through an exhilarating series of encounters with - and vivid readings of - writers he has loved, from Byron and Barthes to Shakespeare and Sebald. And in the process he demonstrates, through his own unique style, how literature and psychoanalysis can speak to and of each other. 'Adam Phillips is that rarest of phenomena, a trained clinician who is also a sublime writer' - John Banville, author of The Sea'Reading Phillips, you may be amused, vexed, dazzled. But the one thing you will never be is bored' Observer 'One of those writers whom it is a pleasure simply to hear think' Sunday Telegraph

James Joyce is one of the greatest writers in English. His first book, A Portrait of the Artist as A Young Man laid down the template for the Coming of Age novel, while his collection of short stories, Dubliners, is of perennial interest. His great modern epic, Ulysses, took the city of Dublin for its setting and all human life for its subject, and its publication in 1922 marked the beginning of the modern novel. Joyce's final work, Finnegans Wake is an endless experiment in narrative and language. But if Joyce is a great writer he is also the most difficult writer in English. Finnegans Wake is written in a freshly invented language, and Ulysses exhausts all the forms and styles of English. Even the apparently simple Dubliners has plots of endless complexity, while the structure of A Portrait of the Artist as A Young Man is exceptionally intricate.

This Very Short Introduction offers a brief survey of the life and key ideas of this most influential Victorian British writer. Moving chronologically, Gregory Claeys outlines the philosophical background out of which Mill developed, chiefly through the ideas of Jeremy Bentham and James Mill. He demonstrates how Mill's personal life, especially his 'mental crisis' of 1827, and his relationship with Harriet Taylor, were integral to his intellectual development. Throughout Claeys considers Mill's key works set within the context of his lesser writings and correspondence, and discusses the more controversial aspects of his thought concerning religion, secularism, and birth control.