Μελέτες & Φιλοσοφία

Gandhi (1869-1948) was one of the few men in history to fight simultaneously on moral, religious, political, social, economic, and cultural fronts. During his time as a lawyer in South Africa he developed his strategy of non-violence: the idea of opposing unjust laws by non-violent protest, which he made the basis of his successful struggle against British rule in India. In this Very Short Introduction to Gandhi's life and thought, Bhikhu Parekh outlines both Gandhi's major philosophical insights and the limitations of his thought.

He looks at Gandhi's cosmocentric anthropology, his spiritual view of politics, his unique form of liberal communitarianism, and his theories of oppression, non-violent action, and active citizenship. He also considers how the success of Gandhi's principles was limited by his lack of coherent theories of evil, and of state and power,and how his hostility to modern civilization impeded his appreciation of its complexity. Gandhi's life and thought has had an enormous impact both within and outside India, and he continues to be widely revered, as one of the greatest moral and political leaders of the twentieth century.

ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

The unwritten contract of the internet, that a user is what is used, extends from the well-examined issue of data privacy and consent to the very selves women are encouraged to create in order to appear. Invited to self-construct as 'girls online', vloggers, bloggers and influencers sign a devil's bargain: a platform on the condition they commodify themselves, eternally youthful, cute and responsibility-free, hiding offline domestic, professional and emotional labour while paying for their online presence with 'accounts' of personal 'experience'. Can a Girl Online use these platforms not only to escape meatspace oppressions, but as spaces for survival, creativity and resistance?Told via the arresting personal narrative of one woman negotiating the (cyber)space between her identities as girl, mother, writer, and commodified online persona, Girl Online is written in a plethora of the online styles, from programming language to the blog/diary, from tweets to lyric prose, taking in selfies, social media, celebrity and Cyberfeminism.

'Two things give Kitto's classic book its enduring freshness: he pioneered the approach to Greek drama through internal artistry and thematic form, and he always wrote in lively and readable English.' - Oliver Taplin, University of Oxford, UK Why did Aeschylus characterize differently from Sophocles? Why did Sophocles introduce the third actor? Why did Euripides not make better plots? So asks H.D.F Kitto in his acclaimed study of Greek tragedy, available for the first time in Routledge Classics. Kitto argues that in spite of dealing with big moral and intellectual questions, the Greek dramatist is above all an artist and the key to understanding classical Greek drama is to try and understand the tragic conception of each play. In Kitto's words 'We shall ask what the dramatist is striving to say, not what in fact he does say about this or that.' Through a brilliant analysis of Aeschylus's 'Oresteia', the plays of Sophocles including 'Antigone' and 'Oedipus Tyrannus'; and Euripides's 'Medea' and 'Hecuba', Kitto skilfully conveys the enduring artistic and literary brilliance of the Greek dramatists. H.D.F Kitto (1897 - 1982) was a renowned British classical scholar. He lectured at the University of Glasgow from 1920-1944 before becoming Professor of Greek at Bristol University, where he taught until 1962.

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

FROM THE AUTHOR OF THE NUMBER ONE BESTSELLER SAPIENS Sapiens showed us where we came from. Homo Deus shows us where we're going. War is obsolete. You are more likely to commit suicide than be killed in conflict. Famine is disappearing. You are at more risk of obesity than starvation. Death is just a technical problem. Equality is out - but immortality is in. What does our future hold[unk] Yuval Noah Harari, author of the bestselling phenomenon Sapiens envisions a not-too-distant world in which we face a new set of challenges. Homo Deus explores the projects, dreams and nightmares that will shape the twenty-first century - from overcoming death to creating artificial life. It asks the fundamental questions: Where do we go from here[unk] And how will we protect this fragile world from our own destructive powers[unk] 'Homo Deus will shock you. It will entertain you. Above all, it will make you think in ways you had not thought before' Daniel Kahneman, author of Thinking Fast, and Slow

If recent history has taught us anything, it's that sometimes the best guide to leadership is the negative example. But that insight is hardly new. Nearly 2,000 years ago, Suetonius wrote Lives of the Caesars, perhaps the greatest negative leadership book of all time. He was ideally suited to write about terrible political leaders; after all, he was also the author of Famous Prostitutes and Words of Insult, both sadly lost. In How to Be a Bad Emperor, Josiah Osgood provides crisp new translations of Suetonius's briskly paced, darkly comic biographies of the Roman emperors Julius Caesar, Tiberius, Caligula, and Nero. Entertaining and shocking, the stories of these ancient anti-role models show how power inflames leaders' worst tendencies, causing almost incalculable damage.

The art of being a good husband is not an easy one. This little guide was written for the middle classes of the 1930s who were reading one of the first modern self-help books. Illustrated with contemporary line-drawings, it contains advice by turns delightfully arcane and timelessly true, for example:Don't squeeze the tube of toothpaste from the top instead of from the bottom. This is one of the small things of life that always irritates a careful wife. Don't think that your wife has placed waste-paper baskets in the rooms as ornaments. Don't tell your wife terminological inexactitudes, which are, in plain English, lies. A woman has wonderful intuition for spotting even minor departures from the truth. Do cultivate the habit of coming down to breakfast with a smile. Remember that as the head of the house, it is your duty to see that everyone starts the day in an atmosphere of happiness. Don't criticise the food at your own table when you are entertaining and especially refrain from doing so before the servants.

How should men and women embark on a new relationship? Is it acceptable to flirt? Should one ever kiss in a canoe? What is the ideal age gap for marriage? What gifts are appropriate for a fiancee? How should one announce an engagement? Aimed at the romantically inclined in the 1930s, this charming self-help guide is dedicated to the etiquette of choosing, wooing and winning a prospective partner. Written with both sexes in mind, this little book is brimming with nuggets of useful advice, by turns humorous, old-fashioned and timeless: Don't attempt kissing in a canoe unless you are both able to swim. Don't delay falling in love until you have reached middle age. To be easily won is to be lightly valued. It is very inadvisable to marry anyone who laughs at your parents. Don't hesitate to break off an engagement if you consider you have made a mistake. Do bear in mind when there's any mistletoe about that two heads are better than one. Delightfully illustrated with contemporary line drawings, 'How to be a Good Lover' appears in the same series as 'How to be a Good Husband' and 'How to be a Good Wife'. All three guides were written for the middle classes of the 1930s - who were reading one of the first modern self-help series on relationships.

'To keep children clean is something that should never be attempted. It cannot be done.''The mere provision of the vegetable is not sufficient; it must be actually eaten.''If there is room enough for somersaults, the child can be satisfied.'Many books of advice for new parents were published during the 1920s and 30s, influenced by the growth of developmental psychology and aimed at the aspirant middle classes who were taking a more hands-on role in the raising of their offspring. This compendium brings together nuggets from the best of these titles in one handy volume. Chapters include good - and bad - behaviour, meals and mealtimes, dress and deportment, children's parties and playtime and storytelling, with sections on the all-important saying 'No!' and good bedtime habits. Illustrated with charming contemporary line drawings, this little book is full of no-nonsense, old-fashioned parenting advice: a gem of a guide for anyone new to the hardest job in the world.

The art of being a good wife is not an easy one. This little guide was written for the middle classes of the 1930s who were reading one of the first modern self-help books. Illustrated with contemporary line-drawings, it contains advice by turns delightfully arcane and timelessly true, for example:It is a wife's duty to look her best. If you don't tidy yourself up, when you have done the bulk of the day's work, don't be surprised if your husband begins to compare you unfavourably with the typist at the office. Don't forget that a wife can always set the standard of behaviour for the home. If she allows laxities of dress or conversation at the table she will soon find that they become a fixed procedure. Don't forget that very true remark that while face powder may catch a man, baking powder is the stuff to hold him. Don't criticise the food at your own table when you are entertaining and especially refrain from doing so before the servants. After all is said and done, husbands are not terribly difficult to manage.