Literature

LONGLISTED FOR THE BOOKER PRIZE 2019 SHORTLISTED FOR THE GOLDSMITHS PRIZE 2019 'An ice-cold skewering of patriarchy, humanity and the darkness of 20th century Europe' The Times_________________________________ 'It's like this, Saul Adler.' 'No, it's like this, Jennifer Moreau.' In 1988, Saul Adler is hit by a car on the Abbey Road. Apparently fine, he gets up and poses for a photograph taken by his girlfriend, Jennifer Moreau. He carries this photo with him to East Berlin: a fragment of the present, an anchor to the West.

But in the GDR he finds himself troubled by time - stalked by the spectres of history, slipping in and out of a future that does not yet exist. Until, in 2016, Saul attempts to cross the Abbey Road again . .

. _________________________________'A time-bending, location-hopping tale of love, truth and the power of seeing. Thoroughly gripping' Sunday Telegraph 'Writing so beautiful it stops the reader on the page' Independent 'Levy splices time in artfully believable, mesmerizing strokes' Lambda Literary 'Skewering totalitarianism - from the state, to the family, to the strictures of the male gaze - Levy explodes conventional narrative to explore the individual's place and culpability within history' Guardian 'An utterly beguiling fever dream' Daily Telegraph

With an introduction by Jonathan LethemIt is 1913, and Viennese high society is determined to find an appropriate way of celebrating the seventieth jubilee of the accession of Emperor Franz Josef. But as the aristocracy tries to salvage something illustrious out of the collapse of the Austro-Hungarian Empire, the ordinary Viennese world is beginning to show signs of more serious rebellion. Caught in the middle of this social labyrinth is Ulrich: youngish, rich, an ex-soldier, seducer and scientist. Unable to deceive himself that the jumble of attributes and values that his world has bestowed on him amounts to anything so innate as a 'character', he is effectively a man 'without qualities', a brilliant, detached observer of the spinning, racing society around him. Part satire, part visionary epic, part intellectual tour de force, The Man Without Qualities by Robert Musil is a work of immeasurable importance.

Artist Jed Martin emerges from a ten-year hiatus with good news. It has nothing to do with his broken boiler, the approach of another lamentably awkward Christmas dinner with his father or the memory of his doomed love affair with the beautiful Olga. It is that, for his new exhibition, he has secured the involvement of none other than celebrated novelist Michel Houellebecq.

The exhibition brings Jed new levels of global fame. But, his boiler is still broken, his ailing father flirts with oblivion and, worst of all, he is contacted by an inspector requiring his help in solving an unspeakable, atrocious and gruesome crime, involving none other than celebrated novelist Michel Houellebecq...

Nicolaos, Classical Athens's favorite sleuth, and his partner in investigation, the clever priestess Diotima, have taken time off to come home and get married. But hoping to get hitched without a hitch proves overly optimistic: A skull discovered in a cave near the Sanctuary of Artemis, the ancient world's most famous school for girls, is revealed to be the remains of the Hippias, the reviled last tyrant to rule Athens. The Athenians fought the Battle of Marathon to keep this man out of power; he was supposed to have died thirty years ago, in faraway Persia. What are his remains doing outside the city walls? Nico's boss, the great Athenian statesman Pericles, wants answers, and he orders Nico to find them. Worst of all, one of the two Sanctuary students who discovered the skull has been killed, and the other is missing. Can the sleuths solve the interlocked crimes before their wedding?

'any narrative of human action and adventure - whether we call it history or Romance - is certain to be a fragile handiwork, more easily rent than mended'The fragility - and the durability - of human life and art dominate this story of American expatriates in Italy in the mid-nineteenth century. Befriended by Donatello, a young Italian with the classical grace of the 'Marble Faun', Miriam, Hilda, and Kenyon find their pursuit of art taking a sinister turn as Miriam's unhappy past precipitates the present into tragedy. Hawthorne's 'International Novel' dramatizes the confrontation of the Old World and the New and the uncertain relationship between the 'authentic' and the 'fake', in life as in art.

"Vassa Solomou Xanthaki's novella The Marriage is considered to be a small classic of Greek literature, a work that is distinguished by the immediacy and freshness of its language while retaining a deep sensibility to traditional life in rural Greece. First published in 1975, it has been reprinted in Greek numerous times and is included in the esteemed Apostolidis Anthology, a collection of the best Greek narrative writing from the 19th century until the present day. In 1994 it was staged as a play with enormous success by the Thessalian Theatre Company, and went on to be performed throughout Greece, with a two-year run in Athens and tours to Cyprus and in the Balkans. The Marriage has also been published in German, Spanish, and Polish, and shortly will appear in French. The author writes: 'The subject of this book is simple: the wedding customs and songs of the village of Ambelakia in Thessaly as lived and experienced in one particular marriage, that of Lenaki and Nikolas. But after the weeklong wedding ceremonies are over the magical bridal veil of those days is slowly drawn back and, in unadorned contrast to those customs and celebrations, the realities of life begin to impose themselves. This fading away of enchantment together with the role played by the nuptial mystery in the subsequent course of the couple's lives was my ultimate theme. Within the restraints imposed by the bonds of marriage I wanted to search again for the mystical veins of tradition, especially in the figure of the woman of the countryside, that ""deep-set rock"", the pillar of the race. Show more Show less "

'Bulgakov is one of the greatest Russian writers, perhaps the greatest' IndependentWritten in secret during the darkest days of Stalin's reign, The Master and Margarita became an overnight literary phenomenon when it was finally published it, signalling artistic freedom for Russians everywhere. Bulgakov's carnivalesque satire of Soviet life describes how the Devil, trailing fire and chaos in his wake, weaves himself out of the shadows and into Moscow one Spring afternoon. Brimming with magic and incident, it is full of imaginary, historical, terrifying and wonderful characters, from witches, poets and Biblical tyrants to the beautiful, courageous Margarita, who will do anything to save the imprisoned writer she loves. Translated by Richard Pevear and Larissa Volokhonsky with an Introduction by Richard Pevear

In the gripping third volume of Christelle Dabos's best-selling saga, Ophelia, the mirror-travelling heroine, finds herself in the magical city of Babel, guarding a secret that may provide a key both to the past and the future. After two years and seven months biding her time on Anima, her home ark, it is finally time to act, to put what she has discovered in the Book of Faruk to good use. Under an assumed identity she travels to Babel, a cosmopolitan and thoroughly modern ark that is the jewel of the universe, and where automata have taken over the most humble jobs from humans. But under the surface of this pacific and orderly ark social unrest stirs, fed by the memories of a fateful purge long ago, and the inhabitants' growing fear of being replaced altogether. Will Ophelia's talent as a reader suffice to avoid her being lured into a deadly trap by her ever more fearful adversaries? Will she ever see Thorn, her betrothed, again?