Literature

'An evocative mix of history, food and storytelling.' EVENING STANDARD BEST FICTION 2021'a heart-warming, heart-breaking story of love, life, family and, of course, baking.' RUTH HOGANCyprus in the run up to the civil war of the 1970s... the threat of it hangs in the atmosphere like a fine mist. A terrible thing, war. Against this backdrop of war and violence, the island's inhabitants make the best they can of their lives, building friendships, falling in love, having children, watching people die, making mistakes. Maria Petrakis, however, flees a brutal marriage on the island where she has always lived for London and a new start. She opens a bakery on Green Lanes in Harringay - the centre of the small Greek Cypriot community whose residents have settled there to escape the war and start again. Here she comes into her own as she heals and atones through the kneading of bread and the selling of shamali cakes and cinnamon pastries to her customers. There are glimpses of the lives of her neighbours, friends and customers as they buy their bread and cakes. There's Mrs Koutsouli, whose heart was broken when her handsome son married a xeni, an English woman with fish-eyes and yellow hair. There's Mrs Pantelis, driven half-mad with the grief of losing her son, Nico, in the war. And there's Mrs Vasili who claims to be related to Nana Mouskouri and grows her hair upwards so she can feel closer to God. Finally, there's Elena, Maria Petrakis' daughter-in-law, who has been suffering with the blackness since having a baby, and whom nobody knows quite how to help. The Making Of Mrs Petrakis is a story about the limited choices women sometimes find themselves confronting. It's a story about repression and mental illness and the devastation it can wreak on lives. But above all, it is a story of motherhood and love and of healing through the humble act of baking.

Sam Spade is hired by the fragrant Miss Wonderley to track down her sister, who has eloped with a louse called Floyd Thursby. But Miss Wonderley is in fact the beautiful and treacherous Brigid O'Shaughnessy, and when Spade's partner Miles Archer is shot while on Thursby's trail, Spade finds himself both hunter and hunted: can he track down the jewel-encrusted bird, a treasure worth killing for, before the Fat Man finds him?

Four men were due to fly to Dublin. When disaster struck and the plane went down over the Irish sea, only three of them were on board. With the identities of the flyers scattered to the winds, the police turn to the patchy account of the Wade family, whose memory of their past few days must hold the key to this elusive and tense mystery. Who was the man who didn't fly? And what did he have to gain? Proof in one novel that Margot Bennett's tight and suspenseful writing is long overdue rediscovery. Also includes the rare short story 'No Bath for the Browns'.

LONGLISTED FOR THE BOOKER PRIZE 2019 SHORTLISTED FOR THE GOLDSMITHS PRIZE 2019 'An ice-cold skewering of patriarchy, humanity and the darkness of 20th century Europe' The Times_________________________________ 'It's like this, Saul Adler.' 'No, it's like this, Jennifer Moreau.' In 1988, Saul Adler is hit by a car on the Abbey Road. Apparently fine, he gets up and poses for a photograph taken by his girlfriend, Jennifer Moreau. He carries this photo with him to East Berlin: a fragment of the present, an anchor to the West.

But in the GDR he finds himself troubled by time - stalked by the spectres of history, slipping in and out of a future that does not yet exist. Until, in 2016, Saul attempts to cross the Abbey Road again . .

. _________________________________'A time-bending, location-hopping tale of love, truth and the power of seeing. Thoroughly gripping' Sunday Telegraph 'Writing so beautiful it stops the reader on the page' Independent 'Levy splices time in artfully believable, mesmerizing strokes' Lambda Literary 'Skewering totalitarianism - from the state, to the family, to the strictures of the male gaze - Levy explodes conventional narrative to explore the individual's place and culpability within history' Guardian 'An utterly beguiling fever dream' Daily Telegraph

With an introduction by Jonathan LethemIt is 1913, and Viennese high society is determined to find an appropriate way of celebrating the seventieth jubilee of the accession of Emperor Franz Josef. But as the aristocracy tries to salvage something illustrious out of the collapse of the Austro-Hungarian Empire, the ordinary Viennese world is beginning to show signs of more serious rebellion. Caught in the middle of this social labyrinth is Ulrich: youngish, rich, an ex-soldier, seducer and scientist. Unable to deceive himself that the jumble of attributes and values that his world has bestowed on him amounts to anything so innate as a 'character', he is effectively a man 'without qualities', a brilliant, detached observer of the spinning, racing society around him. Part satire, part visionary epic, part intellectual tour de force, The Man Without Qualities by Robert Musil is a work of immeasurable importance.

Artist Jed Martin emerges from a ten-year hiatus with good news. It has nothing to do with his broken boiler, the approach of another lamentably awkward Christmas dinner with his father or the memory of his doomed love affair with the beautiful Olga. It is that, for his new exhibition, he has secured the involvement of none other than celebrated novelist Michel Houellebecq.

The exhibition brings Jed new levels of global fame. But, his boiler is still broken, his ailing father flirts with oblivion and, worst of all, he is contacted by an inspector requiring his help in solving an unspeakable, atrocious and gruesome crime, involving none other than celebrated novelist Michel Houellebecq...

Nicolaos, Classical Athens's favorite sleuth, and his partner in investigation, the clever priestess Diotima, have taken time off to come home and get married. But hoping to get hitched without a hitch proves overly optimistic: A skull discovered in a cave near the Sanctuary of Artemis, the ancient world's most famous school for girls, is revealed to be the remains of the Hippias, the reviled last tyrant to rule Athens. The Athenians fought the Battle of Marathon to keep this man out of power; he was supposed to have died thirty years ago, in faraway Persia. What are his remains doing outside the city walls? Nico's boss, the great Athenian statesman Pericles, wants answers, and he orders Nico to find them. Worst of all, one of the two Sanctuary students who discovered the skull has been killed, and the other is missing. Can the sleuths solve the interlocked crimes before their wedding?

'any narrative of human action and adventure - whether we call it history or Romance - is certain to be a fragile handiwork, more easily rent than mended'The fragility - and the durability - of human life and art dominate this story of American expatriates in Italy in the mid-nineteenth century. Befriended by Donatello, a young Italian with the classical grace of the 'Marble Faun', Miriam, Hilda, and Kenyon find their pursuit of art taking a sinister turn as Miriam's unhappy past precipitates the present into tragedy. Hawthorne's 'International Novel' dramatizes the confrontation of the Old World and the New and the uncertain relationship between the 'authentic' and the 'fake', in life as in art.