Αγγλικά

When journalist Anna in Amsterdam marries the Iraqi photographer Karim, she cannot suspect how many secrets he hides, and how they will affect her life. Nor does she know that meeting her Iranian colleague Davoud in Tehran will lead to many more of those, as well as to the question: who is the father of her daughter Zina?

From the Egyptians on, no form of learning was more vital to the ancient world than the knowledge of symbols, and it was no less important to the civilizations of the Orient, even into modern times. In the Occident, thinking about symbols shaped the great art of the medieval age, and, to a very large extent, the new developments of the renaissance and the baroque, before gaining a distinctly new importance with the discovery of the "unconscious" in the twentieth century. The poet and art critic Juan Eduardo Cirlot's Dictionary of Symbols first came out in 1958; soon translated into English, it has since proved an indispensable and endlessly stimulating resource for scholars and students of fields from art to literature to psychology to philosophy. Whether discussing the nature of the Mandala, the symbolic dimensions of the cow, heron, hippopotamus, or planet Saturn, Cirlot's book is an unrivaled source of information, instruction, inspiration, and simple pleasure. This new, expanded edition of the Dictionary includes new entries as well as an epilogue by Cirlot's daughter Victoria discussing her father's poetry and work as an art critic and its close connection to Surrealism.

Set in a mythical backwater Southern town, A Different Drummer is the extraordinary story of Tucker Caliban, a quiet, determined descendant of an African chief who for no apparent reason destroys his farm and heads for parts unknown--setting off a mass exodus of the state's entire Black population. A novel of compelling power and haunting impact.

Celebrating four decades of living in Greece, A DIFFERENT HEAVEN: NEW AND SELECTED POEMS joins the more prominent poems from Donald Schofield's five previous collections (three full length books and two chapbooks) with more recent work and a sampling of translations from modern Greek that have influenced his writing and continue to resonate off it. Taken together, the poems in this collection chart one American's experience of living in a part of the world where the ancient and modern, the urban and rural, and the mythical and mundane intermingle in wondrous and sometimes disconcerting ways. As the poems go deeper into the land, language and culture the author has come to embrace, they engage in an ongoing dialogue with such ancients as Homer, Herodotus, Plato and Aristotle. Other poems speak in the voice of marginalized biblical figures, such as Hagar, Joseph and Lazarus. Earlier free verse looks out at the world from within Egyptian sarcophagi and beneath the gilded surface of Byzantine icons. More recent blank verse and sonnets interact with shepherds and poets; painters and refugees; archaeologists, cemetery workers and assorted others who people the landscape that he now calls home. "For the past three decades Don Schofield has been writing and publishing the deeply affecting and finely crafted poems gathered here in a single volume, poems 'determined by nothing / but rhythm,' the rhythm of our lives as we lean into 'the glittering present.' Ranging from his adopted Greece with its cries of lambs--I aam, I aam--and its refugee camps to Nepal where he watches 'a tiger eating what remained of a baby water buffalo' to Hart Island in NY with its 'unclaimed dead in their plywood coffins' to the dusty Fresno of his violent boyhood where he imagines a place 'where love isn't fear,' these poems cast a precise eye on the natural landscape and our place in it: 'You can tell we're humans / by our short-billed caps.' A Different Heaven is a book best read slowly to savor the 'gentle lure' of these necessary and enduring poems."--Michael Waters "Wherever the poem comes from--from the poet's earthly place, I mean: say, Nevada, Montana, Italy, Greece, Egypt. anywhere--in the case of Don Scofield's work, the poem comes from somewhere the reader will recognize as implicitly true, minutely accurate, and abundantly beautiful. This is work by a man as in love with language as he is with the world and with this earth. You will be moved; you'll be astonished. You'll be very glad you read this book."--Robert Wrigley

A wealthy woman's attempts to help her financially troubled husband go unrewarded. “I must make up my mind which is right – society or I.”

In 1918 Ernest Hemingway went to war, to the 'war to end all wars'. He volunteered for ambulance service in Italy, was wounded and twice decorated. Out of his experiences came his early masterpiece, A Farewell to Arms. In an unforgettable depiction of war, Hemingway recreates the fear, the comradeship, the courage of his young American volunteers and the men and women he encounters along the way with conviction and brutal honesty. A love story of immense drama and uncompromising passion, A Farewell to Arms offers a unique and unflinching view of the world and people, by the winner of the 1954 Nobel Prize for Literature.

In this light-hearted book, poet and gardener James Fenton describes a hundred plants he would choose to grow from seed. 'It seemed a simple and interesting idea: what plants would you choose if starting a garden from scratch?'Includes chapters on flowers for colour, size, or exotic interest; herbs and meadow flowers; climbing vines and tropical species; the micro-meadow; raising plants from seed; and a wealth of personal tips and advice. As Fenton writes, 'the emphasis is on childish simplicity of approach, and economy of outlay.'Here is a happy, stylish, thought-provoking exercise in good principles, which exudes that rare thing: common-or-garden sense about gardens.

Sigmund Freud's controversial ideas have penetrated Western culture more deeply than those of any other psychologist. The 'Freudian slip', the 'Oedipus complex', 'childhood sexuality', 'libido', 'narcissism' 'penis envy', the 'castration complex', the 'id', the 'ego' and the 'superego', 'denial', 'repression', 'identification', 'projection', 'acting out', the 'pleasure principle', the 'reality principle', 'defence-mechanism' - are all taken for granted in our everyday vocabulary. Psychoanalysis was never just a method of treatment, rather a vision of the human condition which has continued to fascinate and provoke long after the death of its originator. Its central hypothesis, that we live in conflict with ourselves and seek to resolve matters by turning away from reality, did not emerge from experimental science but from self-examination and the unique opportunities for observation presented by the psychoanalytic technique - in particular, from the confessions produced by 'free-association' in Freud's consulting room. Written during the turmoil of the First World War, A General Introduction to Psychoanalysis was distilled from a series of lectures given at Vienna University, but had to wait for the war to end before being made available to the English speaking world.

With a new introduction from New York Times bestselling author Groff, these classic stories established O'Connor's reputation as one of the American masters of the short story.