Βιογραφία

'There are happy homes and unhappy homes, and Mother always said that one should never compromise with a house that does not like you. So it was a relief that 81 liked us....' '81 Cadogan Square' is not a conventional autobiography. Once again Daphne Economou has laid herself open and the cool, clear voice of the growing girl dispassionately watching and taking stock of the adult world, comes to us in another remarkable book from the author of 'Saturday's Child - a journey through an Indian childhood'. With the devastating truthfulness of a child's non-negotiable sense of justice and a wry sense of humour that never tries to be funny, Economou retrieves the figures and events that transformed 81 Cadogan Square into a home-away-from-home, for a girl with 'a foot in three different worlds'. The magic of early childhood 'when anything seemed possible' is shattered by the stark reality of battered, post-war Britain and by the struggle of a still half-tamed child to come to terms with the conformity of boarding-school life. But the story has light and darkness, as strangely meaningful relationships, like her friendship with seventy-year-old Alexander Fleming, are formed: 'I don't know why he was fond of me, perhaps because I was so young, perhaps because I was a girl, perhaps because I didn't ask him questions all the time'. This story about families, people and places moves easefully between Athens and London, with the inevitable sadness of partings and loss, and the constant pain of return for a lost Indian childhood. A story that is hard to put down.

'A triumphant memoir' Cathy Park Hong, author of MINOR FEELINGS, finalist for the Pulitzer PrizeThe highly original, blistering, and unconventional memoir by the Pulitzer Prize-winning author of The Sympathizer, which has now sold over one million copies worldwideWith insight, humour, formal invention, and lyricism, in A Man of Two Faces Nguyen rewinds the film of his own life. He expands the genre of personal memoir by acknowledging larger stories of refugeehood, colonization, and ideas about Vietnam and America, writing with his trademark sardonic wit and incisive analysis, as well as a deep emotional openness about his life as a father and a son. At the age of four, Nguyen and his family are forced to flee his hometown of Ban Mê Thu?t and come to the USA as refugees. After being removed from his brother and parents and homed with a family on his own, Nguyen is later allowed to resettle into his own family in suburban San José. But there is violence hidden behind the sunny façade of what he calls AMERICA™. One Christmas Eve, when Nguyen is nine, while watching cartoons at home, he learns that his parents have been shot while working at their grocery store, the SàiGòn M?i, a place where he sometimes helps price tins of fruit with a sticker gun. Years later, as a teenager, the blood-stirring drama of the films of the Vietnam War such as Apocalypse Now throw Nguyen into an existential crisis: how can he be both American and Vietnamese, both the killer and the person being killed? When he learns about an adopted sister who has stayed back in Vietnam, and ultimately visits her, he grows to understand just how much his parents have left behind. And as his parents age, he worries increasingly about their comfort and care, and realizes that some of their older wounds are reopening. Resonant in its emotions and clear in its thinking about cultural power, A Man of Two Faces explores the necessity of both forgetting and of memory, the promises America so readily makes and breaks, and the exceptional life story of one of the most original and important writers working today.

From 1892, when he was eighteen, until 1949, when this book was first published, Somerset Maugham kept a notebook. It is without doubt one of his most important works. Part autobiographical, part confessional, packed with observations, confidences, experiments and jottings it is a rich and exhilarating admission into this great writer's workshop.

In June 1939 Annemarie Schwarzenbach and fellow writer Ella Maillart set out from Geneva in a Ford, heading for Afghanistan. The first women to travel Afghanistan's Northern Road, they fled the storm brewing in Europe to seek a place untouched by what they considered to be Western neuroses. The Afghan journey documented in All the Roads Are Open is one of the most important episodes of Schwarzenbach's turbulent life.

Her incisive, lyrical essays offer a unique glimpse of an Afghanistan already touched by the "fateful laws known as progress," a remote yet "sensitive nerve centre of world politics" caught amid great powers in upheaval. In her writings, Schwarzenbach conjures up the desolate beauty of landscapes both internal and external, reflecting on the longings and loneliness of travel as well as its grace. Maillart's account of their trip, The Cruel Way, stands as a classic of travel literature, and, now available for the first time in English, Schwarzenbach's memoir rounds out the story of the adventure.

Praise for the German Edition "Above all, [Schwarzenbach's] discovery of the Orient was a personal one. But the author never loses sight of the historical and social context. .

. . She shows no trace of colonialist arrogance.

In fact, the pieces also reflect the experience of crisis, the loss of confidence which, in that decade, seized the long-arrogant culture of the West."-Suddeutsche Zeitung

'One of the greatest books of the century' - Guardian'Hiding...where would we hide?... Margot and I started packing our most important belongings into a satchel. The first thing I stuck in was this diary...'In July 1942 thirteen-year-old Anne Frank and her family, fleeing the horrors of Nazi occupation, went into hiding in an Amsterdam warehouse. Over the next two years Anne vividly describes in her diary the frustrations of living in such confined quarters. This unabridged, definitive text reveals Anne's innermost thoughts and feelings as she grows up, and provides a deeply moving true-life story that comes to an abrupt and tragic end. Contains an Afterword, chronology of events and glossary of terms.

Whether he is describing the icy purity of the Korean sky in the instant before it is shattered by a huge formation of MIGs, the light of Paris at dawn, or the glinting smile of a beautiful woman in a Roman cafe, Salter is an incomparable observer and storyteller. And "Burning the Days" is a dazzling meditation on time, desire, memory, and regret.

Sir Ranulph Fiennes is uniquely qualified to write a new biography of Captain Scott. This is the first biography of Scott by someone who has experienced the deprivations, the stress and the sheer physical pain that Scott lived through; he has suffered all but the final tragedy endured by the much maligned Scott. He is determined to put the record straight. As well as being the definitive biography of Scott, written with the full and exclusive cooperation of the Scott Estate, this book traces the way that Scott's reputation has been attacked and his achievements distorted. 'Sir Ranulph Fiennes has done Captain Scott's memory some service...he has certainly written a more dispassionate and balanced account than Huntford ever set out to do.' - Simon Courtauld, Spectator

Uplifting and utterly defiant' Matt Nixson, Daily Express 'Immediate and important ... This is an insider's account of how an ordinary life became extraordinary' Helen Davies, The Times'At first we did not understand what war was. You can't understand it until you see it and hear it.'As Russian forces build up beyond the Ukrainian borders and the prospect of war becomes a devastating reality, Andrey Kurkov chronicles the shocking impact of Russia's invasion of Ukraine.

Part political and historical commentary, part personal journal, Kurkov explores the fraught interrelation of Russian and Ukrainian history, the complicated coexistence of their languages, and in describing how a peaceful society defies occupation, the author builds an image of a culture which, contrary to Putin's claims, is unique and democratic, liberal and diverse, one that will 'resist to the end'. Redirecting his satirical flair to paint a defiant portrait of his compatriots, Kurkov tells of a people united against erasure. Bread is baked and shared in the ruins.

An amputee is carried aboard an evacuating train, grandmothers escape occupied towns with their noisome roosters. And despite the networks of toloka, of community work for common good, being stretched to breaking point, and the embittering reticence of some European nations to make good their promises of aid and armaments, hope channels its perennial resistance: children are born deep within besieged cities and farmers go on working the fields made lethal by unexploded shells. Kurkov braids his personal story with those of other displaced Ukrainians and the communities that have gone to extraordinary lengths to care for them.

Showing an irrepressible spirit, they 'wait for the moment when it will be safe to return,' he writes, 'just as I am waiting.'

Christian Dior (1905-1957) rocketed to fame with his first collection in 1947 when the "New Look" took the world by storm. This charming and modest autobiography gives a fascinating and detailed insight into the workings of a great fashion house, while revealing the private man behind the high-profile establishment. It is also a unique portrait of classic Paris haute couture of the 1950s and offers a rare glimpse behind the scenes. Dior details his childhood in Granville, the family and friends closest to him, his most difficult years and sudden success, as well as his sources of inspiration and creative processes.