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"All new translation with an introduction by Art Spiegelman"-- Cover.

Introducing Mr. Worth! When his daughter is killed during the brutal crime wave gripping Gotham City, eight-foot-tall stack of muscle and money Roland Worth sets out on a path of revenge toward the prime suspect in the crime: Batman! The Dark Knight has been framed for murder, and to make matters worse, this grisly deed seems to be connected to yet another emerging villainous force on the horizon. It's a rogues gallery explosion, and this time there's no mansion on the hill for Bruce Wayne to mount his counterattack from! Eisner Award-winning writer Mariko Tamaki and superstar artist Dan Mora begin an exciting, surprising, and death-defying new story for the World's Greatest Detective. Includes Detective Comics #1034-1039.

And you thought your adolescence was scary. Suburban Seattle, the mid-1970s. We learn from the outset that a strange plague has descended upon the area's teenagers, transmitted by sexual contact. The disease is manifested any number of ways - from the hideously grotesque to the subtle (and concealable) - but once you've got it, that's it. There's no turning back. As we inhabit the heads of several key characters - some kids who have it, some who don't, some who are about to get it - what unfolds isn't the expected battle to fight the plague, or bring heightened awareness of it, or even to treat it. What we become witness to instead is a fascinating and eerie portrait of the nature of high-school alienation itself - the savagery, the cruelty, the relentless anxiety and ennui, the longing for escape. And then the murders start. As hypnotically beautiful as it is horrifying (and, believe it or not, autobiographical), Black Hole transcends its genre by deftly exploring a specific American cultural moment in flux and the kids who are caught in it - back when it wasn't exactly cool to be a hippie any more, but Bowie was still just a little too weird. To say nothing of sprouting horns and moulting your skin . . .

The ninja adventures continue with Naruto's son, Boruto!Naruto was a young shinobi with an incorrigible knack for mischief. He achieved his dream to become the greatest ninja in his village, and now his face sits atop the Hokage monument. But this is not his story... A new generation of ninja is ready to take the stage, led by Naruto's own son, Boruto!In order to defeat Ohtsutsuki Isshiki and protect the village, Naruto and Kurama use their ultimate trump card. This new mode may give them the power to win, but only at the cost of their lives. Will it be enough?

The graphic novel adaptation of the classic dystopian masterpiece. From Fred Fordham, graphic novelist behind the sensational TO KILL A MOCKINGBIRD graphic novel. Originally published in 1932, Brave New World is one of the most revered and profound works of twentieth century literature. Touching on themes of control, humanity, technology, and influence, Aldous Huxley's enduring classic is a reflection and a warning of the age in which it was written, yet remains frighteningly relevant today. With its surreal imagery and otherworldly backdrop, Brave New World adapts beautifully to the graphic novel form. Fred Fordham's singular artistic flair and attention to detail and color captures this thought-provoking novel as never before, and introduces it to a new generation, and countless modern readers, in a fresh and compelling way.

The creator of the Pulitzer Prize-winning Maus explores the comics form...and how it formed him!**In a new flexibound format with an updated afterword**This book opens with Portrait of the Artist as a Young %@&*!, creating vignettes of the people, events, and comics that shaped Art Spiegelman. It traces the artist's evolution from a MAD-comics obsessed boy in Rego Park, Queens, to a neurotic adult examining the effect of his parents' memories of Auschwitz on his own son. The second part presents a facsimile of Breakdowns, the long-sought after collection of the artist's comics of the 1970s, the book that triggers these memories. Breakdowns established the mode of formally sophisticated comics that transformed the medium, and includes the prototype of Maus, cubist experiments, an essay on humor, and the definitive genre-twisting pulp story "Ace Hole-Midget Detective."Pulling all this together is an illustrated essay that looks back at the sixties as the artist pushes sixty, and explains the obsessions that brought these works into being. Poignant, funny, complex, and innovative, Breakdowns alters the terms of what can be accomplished in a memoir. 'Art Spiegelman is the single most important comic creator' Alan Moore

WWII is over, but the adventures are just beginning.

Simmonds is a copper-bottomed genius... she is as brilliant a writer as Britain has' Jenny Colgan, Mail OnlineCassandra Darke is an art dealer, mean, selfish, solitary by nature, living in Chelsea in a house worth GBP7 million. She has become a social pariah, but doesn't much care. Between one Christmas and the next, she has sullied the reputation of a West End gallery and has acquired a conviction for fraud, a suspended sentence and a bank balance drained by lawsuits. On the scale of villainy, fraud seems to Cassandra a rather paltry offence - her own crime involving `no violence, no weapon, no dead body'. But in Cassandra's basement, her young ex-lodger, Nicki, has left a surprise, something which implies at least violence and probably a body . . . Something which forces Cassandra out of her rich enclave and onto the streets. Not those local streets paved with gold and lit with festive glitter, but grimmer, darker places, where she must make the choice between self-sacrifice and running for her life.