Charles Dickens

'What was merry Christmas to Scrooge? Out upon merry Christmas! What good had it ever done to him?'Ebenezer Scrooge is a bad-tempered skinflint who hates Christmas and all it stands for, but a ghostly visitor foretells three apparitions who will thaw Scrooge's frozen heart. A Christmas Carol has gripped the public imagination since it was first published in 1843, and it is now as much a part of Christmas as mistletoe or plum pudding. This edition reprints the story alongside Dickens's four other Christmas Books: The Chimes, The Cricket on the Hearth, The Battle of Life,and The Haunted Man. All five stories show Dickens at his unpredictable best, jumbling together comedy and melodrama, genial romance and urgent social satire, in pursuit of his aim 'to awaken some loving and forbearing thoughts, never out of season in a Christian land'. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Après le suicide de son père, empêtré dans une interminable procédure judiciaire, Tom Jarndyce accueille dans son domaine de Bleak house ses deux pupilles ainsi qu'une jeune orpheline, Esther. Dans le même temps, lady Dedlock semble compromise dans une ténébreuse affaire de succession. Dans ce roman publié en 1853, l'auteur dépeint l'état déplorable de la justice anglaise.

With an Introduction and Notes by Doreen Roberts, University of Kent at Canterbury. Illustrations by Hablot K. Browne (Phiz). Bleak House is one of Dickens' finest achievements, establishing his reputation as a serious and mature novelist, as well as a brilliant comic writer. It is at once a complex mystery story that fully engages the reader in the work of detection, and an unforgettable indictment of an indifferent society. Its representations of a great city's underworld, and of the law's corruption and delay, draw upon the author's personal knowledge and experience. But it is his symbolic art that projects these things in a vision that embraces black comedy, cosmic farce, and tragic ruin. In a unique creative experiment, Dickens divides the narrative between his heroine, Esther Summerson, who is psychologically interesting in her own right, and an unnamed narrator whose perspective both complements and challenges hers.

Introduction and Notes by Dr Adrienne Gavin, Canterbury Christ Church University College. Illustrations by Hablot K. Browne (Phiz). Dickens wrote of David Copperfield: 'Of all my books I like this the best'. Millions of readers in almost every language on earth have subsequently come to share the author's own enthusiasm for this greatly loved classic, possibly because of its autobiographical form. Following the life of David through many sufferings and great adversity, the reader will also find many light-hearted moments in the company of a host of English fiction's greatest stars including Mr Micawber, Traddles, Uriah Heep, Creakle, Betsy Trotwood, and the Peggoty family. Few readers, arriving at the end of David Copperfield, will not wish to echo Thackeray's famous praise, having read the first monthly part - `Bravo Dickens'.

Now a major film directed by Armando Iannucci, starring Dev Patel, Tilda Swinton, Hugh Laurie, Peter Capaldi and Ben Whishaw'The greatest achievement of the greatest of all novelists' Leo TolstoyIn David Copperfield - the novel he described as his 'favourite child' - Dickens drew on his own experiences to create one of his most moving and enduringly popular works, filled with tragedy and comedy in equal measure. It is the story of a young man's adventures on his journey from an unhappy childhood to the discovery of his vocation as a novelist. Among the gloriously vivid cast of characters he encounters are his tyrannical stepfather, Mr Murdstone; his brilliant but unworthy school-friend Steerforth; his formidable aunt, Betsey Trotwood; the eternally humble yet treacherous Uriah Heep; frivolous, enchanting Dora; and the magnificently impecunious Micawber, one of literature's great comic creations. Edited with an Introduction and Notes by Jeremy Tambling

With an Introduction and Notes by Karl Ashley Smith, University of St Andrews. Illustrations by Hablot K. Browne (Phiz). Mr Dombey is a man obsessed with his firm. His son is groomed from birth to take his place within it, despite his visionary eccentricity and declining health. But Dombey also has a daughter, whose unfailing love for her father goes unreturned. 'Girls' said Mr Dombey, 'have nothing to do with Dombey and Son'. When Walter Gay, a young clerk in her father's office, rescues her from a bewildering experience in the streets of London, his unforgettable friends believe he is well on his way to receiving her hand in marriage and inheriting the company. It is to be a very different type of story. Dombey and Son moved grown men to tears (Thackeray despaired of 'writing against such power as this'), but its rich, comic characters and their joyful explosions of language draw laughter with equally unerring magic.

'you are to understand, Mr. Pip, that the name of the person who is your liberal benefactor remains a profound secret...'Young Pip lives with his sister and her husband the blacksmith, with few prospects for advancement until a mysterious benefaction takes him from the Kent marshes to London. Pip is haunted by figures from his past - the escaped convict Magwitch, the time-withered Miss Havisham and her proud and beautiful ward, Estella - and in time uncovers not just the origins of his great expectations but the mystery of his own heart. A powerful and moving novel, Great Expectations is suffused with Dickens's memories of the past and its grip on the present, and it raises disturbing questions about the extent to which individuals affect each other's lives. This edition includes a lively introduction, Dickens's working notes, the novel's original ending, and an extract from an early theatrical adaptation. It reprints the definitive Clarendon text. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Classe de 3ème Considered by many to be Dickens' finest novel, 'Great Expectations' traces the growth of the book's narrator, Philip Pirrip (Pip), from a boy of shallow dreams to a man with depth of character. From its famous dramatic opening on the bleak Kentish marshes, the story abounds with some of Dickens' most memorable characters. Among them are the kindly blacksmith Joe Gargery, the mysterious convict Abel Magwitch, the eccentric Miss Haversham and her beautiful ward Estella, Pip's good-hearted room-mate Herbert Pocket and the pompous Pumblechook. As Pip unravels the truth behind his own 'great expectations' in his quest to become a gentleman, the mysteries of the past and the convolutions of fate through a series of thrilling adventures serve to steer him towards maturity and his most important discovery of all - the truth about himself.

Voici un ouvrage resté longtemps méconnu en France, par un des romanciers anglais les plus populaires du XIXe siècle, Charles Dickens. Pourtant il retrace le destin d'un clown, certes, mais d'un clown comme on n'en avait guère vu jusqu'alors. La vie du grand Joe Grimaldi, son aventureuse carrière, nous dévoilent quelques-uns des plus curieux aspects des moeurs britanniques, des théâtres aux bas-fonds. Le hasard, en semant bien des incidents étranges, des rencontres dramatiques, des péripéties bizarres dans l'existence de ce comédien, semble s'être complu à lui faire un sort extraordinaire et à le désigner ainsi à l'attention des biographes. Et Dickens n'est pas n'importe quel biographe. A vingt-cinq ans et sous le pseudonyme de Boz, il a déjà prouvé son étonnant talent de conteur. S'il reprend alors les Mémoires de Grimaldi, c'est sans doute qu'il a reconnu, en cet enfant prodige, son double.