A SUNDAY TIMES BOOK OF THE YEAR'This feels like a vision for the 21st-century novel... It made me happy' Ocean Vuong, author of On Earth We're Briefly GorgeousBenson and Mike are two young guys who have been together for a few years - good years - but now they're not sure why they're still a couple. There's the sex, sure, and the meals Mike cooks for Benson, and, well, they love each other.
But when Mike finds out his estranged father is dying in Osaka just as his acerbic Japanese mother, Mitsuko, arrives for a visit, Mike picks up and flies across the world to say goodbye. In Japan he undergoes an extraordinary transformation, discovering the truth about his family and his past, while back home, Mitsuko and Benson are stuck living together as unconventional roommates, an absurd domestic situation that ends up meaning more to each of them than they ever could have predicted... Funny and profound, Memorial is about family in all its strange forms, becoming who you're supposed to be and the outer limits of love
FROM THE AUTHOR OF KIM JIYOUNG, BORN 1982 'There is laughter and joy to be found in these pages, along with the kind of laughter that sets two women over 50 rolling in the snow with tears streaming down their frozen cheeks and the aurora borealis dancing above them.' The Observer 'A thought-provoking, nuanced read' Sarah Manning, Red 'Dazzling prose' Elle Eight women. Eight stories. One reality.
A woman is born. A woman is filmed in public without consent. A woman suffers domestic violence.
A woman is gaslit. A woman is discriminated against at work. A woman grows old.
A woman becomes famous. A woman is hated, and loved, and then hated again. Written in Cho Nam-Joo's masterful, razor-sharp prose, Miss Kim Knows brings together the lives of eight Korean women, aged 10 to 80.
Contained in each of these biographies is a microcosm of contemporary Korea, and the challenges and injustices that women face from childhood to old age. As with Kim Jiyoung, Born 1982, the fates of these eight women are the fates of women the world over. And under Cho Nam-Joo's precise, unveiled gaze, nothing and nobody escapes scrutiny--not even herself.
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Καθαρισμός Όλων