Λογοτεχνία

A Guest at the Feast uncovers the places where politics and poetics meet, where life and fiction overlap, where one can be inside writing and also outside of it. From the melancholy and amusement within the work of the writer John McGahern to an extraordinary essay on his own cancer diagnosis, Toibin delineates the bleakness and strangeness of life and also its richness and its complexity. As he reveals the shades of light and dark in a Venice without tourists and the streets of Buenos Aires riddled with disappearances, we find ourselves considering law and religion in Ireland as well as the intricacies of Marilynne Robinson's fiction. The imprint of the written word on the private self, as Toibin himself remarks, is extraordinarily powerful. In this collection, that power is gloriously alive, illuminating history and literature, politics and power, family and the self.

Taking its title from T.S. Eliot's modernist poem The Waste Land, Evelyn Waugh's A Handful of Dust is a chronicle of Britain's decadence and social disintegration between the First and Second World Wars. This Penguin Modern Classics edition is edited with an introduction and notes by Robert Murray Davis. After seven years of marriage, the beautiful Lady Brenda Last is bored with life at Hetton Abbey, the Gothic mansion that is the pride and joy of her husband, Tony. She drifts into an affair with the shallow socialite John Beaver and forsakes Tony for the Belgravia set. Brilliantly combining tragedy, comedy and savage irony, A Handful of Dust captures the irresponsible mood of the 'crazy and sterile generation' between the wars. This breakdown of the Last marriage is a painful, comic re-working of Waugh's own divorce, and a symbol of the disintegration of society. If you enjouyed A Handful of Dust, you might like Waugh's Vile Bodies, also available in Penguin Modern Classics. 'One of the twentieth century's most chilling and bitter novels; and one of its best'Nicholas Lezard, Guardian'One of the most distinguished novels of the century'Frank Kermode'This is a masterpiece of stylish satire, and is funny, too ... a marvellous book'John Banville, Irish Times

Is it possible to die a happy death?This is the central question of Camus's astonishing early novel, published posthumously and greeted as a major literary event. It tells the story of a young Algerian, Mersault, who defies society's rules by committing a murder and escaping punishment, then experimenting with different ways of life and finally dying a happy man. In many ways A Happy Death is a fascinating first sketch for The Outsider, but it can also be seen as a candid self-portrait, drawing on Camus's memories of his youth, travels and early relationships. It is infused with lyrical descriptions of the sun-drenched Algiers of his childhood - the place where, eventually, Mersault is able to find peace and die 'without anger, without hatred, without regret'.

On the high seas of the Caribbean, a family of English children is set loose - sent by their parents from their home in Jamaica to receive the civilising effects of England. When their ship is captured by pirates, the thrilling cruise continues as the children transfer their affections from one batch of sailors to another. Innocence is their protection, but as life in the care of pirates reveals its dangers, the events which unfold begin to take on a savagely detached quality.

Writers' reviews for A High Wind in Jamaica:'One of my all time favourite books' Ann Patchett'I wouldn't let a 14-year-old near it' Meg Rosoff'I read the whole thing in one gulp. It was remarkable. Tiny.

Crazy. I felt just like I did as a kid.' Andrew Sean Greer'When I really like a book I'll sometimes read a passage or two aloud to whoever's nearby; this one I'd happily recite cover-to-cover' Imogen Hermes Gowar'A thrillingly good book' Martin Amis

Monks devious and devout - and an age-defying royal pair - chronicle the history of their fictional island in this witty critique of Western civilization and history itself. Eugene Vodolazkin, internationally acclaimed novelist and scholar of medieval literature, returns with a satirical parable about European and Russian history, the myth of progress, and the futility of war. This ingenious novel, described by critics as a coda to his bestselling Laurus, is presented as a chronicle of an island from medieval to modern times. The island is not on the map, but it is real beyond doubt. It cannot be found in history books, yet the events are painfully recognizable. The monastic chroniclers dutifully narrate events they witness: quests for power, betrayals, civil wars, pandemics, droughts, invasions, innovations, and revolutions. The entries mostly seem objective, but at least one monk simultaneously drafts and hides a "true" history, to be discovered centuries later. And why has someone snipped out a key prophesy about the island's fate?These chronicles receive commentary today from an elderly couple who are the island's former rulers. Prince Parfeny and Princess Ksenia are truly extraordinary: they are now 347 years old. Eyewitnesses to much of their island's turbulent history, they offer sharp-eyed observations on the changing flow of time and their people's persistent delusions. Why is the royal couple still alive? Is there a chance that an old prophecy comes to pass and two righteous persons save the island from catastrophe?In the tradition of Umberto Eco's The Name of the Rose, Julian Barnes's A History of the World in 10 1/2 Chapters, and Kazuo Ishiguro's The Buried Giant, Vodolazkin is at his best recasting history, in all its hubris and horror, by finding the humor in its absurdity. For readers with an appetite for more than a dry, rational, scientific view of what motivates, divides, and unites people, A History of the Island conjures a world still suffused with mystical powers.

The setting is a comedy club in a small Israeli town. An audience that has come expecting an evening of amusement instead sees a comedian falling apart on stage; an act of disintegration, a man crumbling, as a matter of choice, before their eyes. They could get up and leave, or boo and whistle and drive him from the stage, if they were not so drawn to glimpse his personal hell. Dovaleh G, a veteran stand-up comic – charming, erratic, repellent – exposes a wound he has been living with for years: a fateful and gruesome choice he had to make between the two people who were dearest to him.

The people of Central Europe cannot be separated from European history; they cannot exist outside it; but they represent the wrong side of this history; they are its victims and outsiders. In a moment of historic peril and uncertainty in mainland Europe, Milan Kundera makes the case for Central Europe as the nucleus of European values and as a lightning rod for its potential dangers. For the countries that make up this region where democracy is under continued threat from Russian oppression, language and culture play an active role in affirming national identity. And each of these countries - Hungary, Poland, the Czech Republic and Slovakia - has been historically overlooked by the major powers of Western Europe. But Kundera cautions that this blindness puts Europe's cultural and political independence at risk, a warning that feels increasingly relevant to our current moment, and our future.

This collection of literature attempts to compile many of the classic, timeless works that have stood the test of time and offer them at a reduced, affordable price, in an attractive volume so that everyone can enjoy them.

When four graduates from a small Massachusetts college move to New York to make their way, they're broke, adrift, and buoyed only by their friendship and ambition. There is kind, handsome Willem, an aspiring actor; JB, a quick-witted, sometimes cruel Brooklyn-born painter seeking entry to the art world; Malcolm, a frustrated architect at a prominent firm; and withdrawn, brilliant, enigmatic Jude, who serves as their centre of gravity. Over the decades, their relationships deepen and darken, tinged by addiction, success, and pride.

Can I explain why I wanted to jump off the top of a tower block?'For disgraced TV presenter Martin Sharp the answer's pretty simple: he has, in his own words, 'pissed his life away'. And on New Year's Eve he's going to end it all . . . but not, as it happens, alone. Because first single-mum Maureen, then eighteen-year-old Jess and lastly American rock-god JJ turn up and crash Martin's private party. They've stolen his idea - but brought their own reasons. Yet it's hard to jump when you've got an audience queuing impatiently behind you. A few heated words and some slices if cold pizza later and these four strangers are suddenly allies. But is their unlikely friendship a good enough reason to carry on living?Shortlisted for the 2005 Whitbread Award and the Commonwealth Writers Prize, A Long Way Down is a darkly hilarious and moving novel by bestselling author Nick Hornby. __________________________'Hornby's best yet' Literary Review'Impossible to put down' Ruth Rendell, Guardian'Some of the finest writing I've ever had the pleasure of reading' Johnny Depp