Ελλάδα

A great way into one of the greatest philosophers of all time' Nigel Warburton, Five Books Why has Aristotle had such an astounding influence on the world? What are his key ideas? What can he still teach us today?The Lyceum in Athens, now a ruin, has a claim to be the most significant place in human history. It is the site of Aristotle's school. Here the philosopher taught and discussed the answers to the deepest mysteries of the human condition, and changed the way we think. Today, it can be difficult to fully comprehend the staggering influence of Aristotle's lessons. Yet his observations about the world around him and his reflections on the nature of knowledge laid the foundations for all empirical science. His study of rational thought formed the basis of formal logic, the cornerstone of philosophical investigation. His examination of Greek city-states gave us political science, while his analysis of drama remains a mainstay of literature courses around the world. Acclaimed philosopher John Sellars takes us on a journey through Aristotle's thought, vividly bringing to life his key ideas, and demonstrating that the famous philosopher's capacity for curiosity continues to offer us all a vision of more fulfilled lives. The lessons of Aristotle, he shows, still have much to teach us today.

The essays in this volume give the international academic community as broad a picture as possible of the historical development of and the main trends in the history of art in Greece, along with the level of educational achievements in that field. The study of modern European art history has been systematically developed as a specialist discipline both in academia and in the public sphere in Greece since the late 1970s onwards. In recent decades, the history of Western art has begun to be regularly taught in Greek universities, both at undergraduate level and in postgraduate and doctoral programmes. During the same period, an increasing number of Greek art historians have been trained in undergraduate and postgraduate courses at prestigious universities mainly in France, the United Kingdom, Germany and the United States, thus contributing, if they return to work in their native land, to a multifaceted updating of the theoretical and methodological tools of art history in Greece. The ideological issues and objective difficulties of establishing art history into an academic discipline in Greece are presented in great detail in the pages of this volume, while the theoretical and methodological directions taken both in historiography and in academic teaching, are also thoroughly examined. Alongside these, there is some discussion on the attempts made over the last twenty years to form a permanent academic community through positive action, such as holding regular conferences, academic colloquia and lectures, under the aegis of the Association of Greek Art Historians.

Athens is an historical anomaly. Excavations date itsfirst settlement to over seven thousand years ago, yet itonly became the capital of Greece in 1834. During theintervening centuries it was occupied by almost everymobile culture in Europe: from its earliest likelysettlers, tribes from what is now Albania, to Nazi forcesduring the second World War, and in between by successivewaves of Persians, Macedonians, Romans, Slavs, Goths,Venetians, French, Catalans, Turks, Italians, Bulgariansand the clans of various kings and tyrants of theregion's early city-states. There has been a structure onits 'high city', the acropolis, since at least the bronzeage, although it was subsequently altered by successiveoccupiers, becoming a fort, castle, temple, mosque,church and even a harem. its 'Golden Age' peaked in thefifth century BCE, with the great building projects ofPericles and Themistocles, and its later history is oneof a city already nostalgic for its past, although at atime when other European cities had yet to beginconstructing a past.

Jill Dudley writes about the earliest myths regarding the Acropolis, the strange birth of the goddess Athena, and the contest between her and Poseidon, god of the sea, for the patronage of the city. She explains the reason for the Panathenaia festival, and describes the importance of the goddess' image (said to have fallen from heaven) on which the defence of the city was thought to depend. It is as it says on the back cover of the booklet: All you need to know about the sacred site, its myths, legends and its gods.

Athens Unveiled is a photo essay book about late Nineteenth century Athens through her streets and neighbourhoods. This book will appeal to travellers, adventurers, architects, architecture lovers, artists, historians, and urban anthropologists who wish to experience the city off the beaten track by visiting quaint streets and neighbourhoods that hold a historical relevance to the development of modern Athens. An insider's view of the quaint streets and neighbourhoods that defined the character of Modern Athens. Every year millions of travellers arrive in Athens eager to catch a glimpse of the ancient city and savour its classical heritage. But what about the late nineteenth century Athens with her neoclassical buildings, wide avenues and literary salons? An Athens where music wafted from King Otto's palace and the aristocracy waltzed under crystal chandeliers. A city of dignitaries, scholars and architects drawing plans and reworking them, leaving their mark on every dimension of the young capital. An Athens where commoners hovered around dimly lit fires and children played in the mud amidst the ancient ruins. Where criminals settled disputes with drawn knives and prostitutes roamed the ports luring sailors into filthy, smoke-filled taverns. Where Greek refugees lived in wind-swept streets with no sewers or running water, singing about their troubles under the stars. An Athens where intellectuals, writers, poets, and artists converged in local caf?s planning the future of the newly founded nation, discussing philosophy, literature, and their shared passion for reclaiming Greece for the Greeks. Athens Unveiled pays homage to the people, streets, and neighbourhoods of late nineteenth century Athens, where some of the finest neoclassical buildings still stand next to abandoned mansions, brothels, and old factories; where people still bargain the prices of clothes and produce on the old streets of commerce and where young artists create powerful murals, bringing everything about the city into sharp focus.

Iphigenia among the Taurians Bacchae Iphigenia at Aulis Rhesus The four plays newly translated in this volume are among Euripides' most exciting works. Iphigenia among the Taurians is a story of escape and contrasting Greek and barbarian civilization, set on the Black Sea at the edge of the known world. Bacchae, a profound exploration of the human psyche, deals with the appalling consequences of resistance to Dionysus, god of wine and unfettered emotion. This tragedy, which above all others speaks to our post-Freudian era, is one ofEuripides' two last surviving plays. The second, Iphigenia at Aulis, centres on the ultimate dysfunctional family as natural emotion is tested in the tragic crucible of the Greek expedition against Troy. Lastly, Rhesus, probably the work of another playwright, is a thrilling, action-packed Iliad in miniature, dealingwith a grisly event in the Trojan War. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Located in Athens, in the historic neighbourhood of Makrygianni, the New Acropolis Museum stands less than 1,000 feet southeast of the Parthenon, at the entrance of a network of pedestrian walkways that link the key archaeological sites and monuments of the Acropolis.This location was carefully selected to enable a dialogue between the Museum's exhibition spaces and the Acropolis buildings. Bernard Tschumi Architects won the commission in 2001 as the result of a design competition. The design was chosen for its simple, clear and beautiful solution, which is in accord with the beauty and classical simplicity of the Museum's unique exhibits. It ensures a museological and architectural experience that is relevant today and for the foreseeable future - so states Professor Dimitrios Pandermalis, President of the Organization for the Construction of the New Acropolis Museum and author of this volume.

In this new book, David Ellis traces Byron's life from rented lodgings in Aberdeen to the crumbling splendours of Newstead Abbey and then on to his grand tour of the East. Describing his exile from England after a disastrous marriage, and subsequent travels in Italy and Greece, he shows how completely Byron's experiences coloured his writings, drawing out the tension between the 'serious' works (Childe Harold, The Corsair) and his more comic writings. Although the former brought him early fame and fortune, it is the latter which now seem most worthwhile. Byron is a fresh, concise and clear-eyed account of the flamboyant poet's life and work.

Roderick Beaton re-examines Lord Byron's life and writing through the long trajectory of his relationship with Greece. Beginning with the poet's youthful travels in 1809-1811, Beaton traces his years of fame in London and self-imposed exile in Italy, that culminated in the decision to devote himself to the cause of Greek independence. Then comes Byron's dramatic self-transformation, while in Cephalonia, from Romantic rebel to 'new statesman', subordinating himself for the first time to a defined, political cause, in order to begin laying the foundations, during his 'hundred days' at Missolonghi, for a new kind of polity in Europe - that of the nation-state as we know it today. Byron's War draws extensively on Greek historical sources and other unpublished documents to tell an individual story that also offers a new understanding of the significance that Greece had for Byron, and of Byron's contribution to the origin of the present-day Greek state.