In June 1939 Annemarie Schwarzenbach and fellow writer Ella Maillart set out from Geneva in a Ford, heading for Afghanistan. The first women to travel Afghanistan's Northern Road, they fled the storm brewing in Europe to seek a place untouched by what they considered to be Western neuroses. The Afghan journey documented in All the Roads Are Open is one of the most important episodes of Schwarzenbach's turbulent life.
Her incisive, lyrical essays offer a unique glimpse of an Afghanistan already touched by the "fateful laws known as progress," a remote yet "sensitive nerve centre of world politics" caught amid great powers in upheaval. In her writings, Schwarzenbach conjures up the desolate beauty of landscapes both internal and external, reflecting on the longings and loneliness of travel as well as its grace. Maillart's account of their trip, The Cruel Way, stands as a classic of travel literature, and, now available for the first time in English, Schwarzenbach's memoir rounds out the story of the adventure.
Praise for the German Edition "Above all, [Schwarzenbach's] discovery of the Orient was a personal one. But the author never loses sight of the historical and social context. .
. . She shows no trace of colonialist arrogance.
In fact, the pieces also reflect the experience of crisis, the loss of confidence which, in that decade, seized the long-arrogant culture of the West."-Suddeutsche Zeitung
Uplifting and utterly defiant' Matt Nixson, Daily Express 'Immediate and important ... This is an insider's account of how an ordinary life became extraordinary' Helen Davies, The Times'At first we did not understand what war was. You can't understand it until you see it and hear it.'As Russian forces build up beyond the Ukrainian borders and the prospect of war becomes a devastating reality, Andrey Kurkov chronicles the shocking impact of Russia's invasion of Ukraine.
Part political and historical commentary, part personal journal, Kurkov explores the fraught interrelation of Russian and Ukrainian history, the complicated coexistence of their languages, and in describing how a peaceful society defies occupation, the author builds an image of a culture which, contrary to Putin's claims, is unique and democratic, liberal and diverse, one that will 'resist to the end'. Redirecting his satirical flair to paint a defiant portrait of his compatriots, Kurkov tells of a people united against erasure. Bread is baked and shared in the ruins.
An amputee is carried aboard an evacuating train, grandmothers escape occupied towns with their noisome roosters. And despite the networks of toloka, of community work for common good, being stretched to breaking point, and the embittering reticence of some European nations to make good their promises of aid and armaments, hope channels its perennial resistance: children are born deep within besieged cities and farmers go on working the fields made lethal by unexploded shells. Kurkov braids his personal story with those of other displaced Ukrainians and the communities that have gone to extraordinary lengths to care for them.
Showing an irrepressible spirit, they 'wait for the moment when it will be safe to return,' he writes, 'just as I am waiting.'
FINALIST FOR THE 2023 PULITZER PRIZE FOR MEMOIR'An exquisite exploration of disability, identity and the human capacity to do (and be) more than we've ever dreamed' Time'Gorgeously, vividly alive' New York Times'Challenges the unspoken social taboos about the disabled body, unpacking myths of beauty and our complicity in upholding those myths' Lit HubBorn with sacral agenesis, a visible congenital disability that affects her stature and gait, Chloe Cooper Jones had always found solace in what she thought of as 'the neutral room' - a dissociative space in her mind that offered her solace and self-protection, but also kept her isolated. When she became pregnant (disproving her doctor, who had assumed it impossible), something necessary in her started to crack, forcing her to reckon with her defensive positionality to the world and the people in it. This prompted an odyssey across time and space as Chloe - while at museums, operas, concerts and sporting events, and in the presence of awe-inspiring nature - reconsidered the consciousness-shifting power of beauty.
A book of the year for the New York Times, Washington Post, Los Angeles Times, USA Today, Time, BuzzFeed, Lit Hub, Electric Literature, Vulture, Publishers Weekly, Booklist and New York Public Library
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Καθαρισμός Όλων